How to begin to explain the enigmatic giant that was Jackie Leven? Most reviews, in his life and beyond (he died in 2011), will comment on the mystery that he were not better known and better acclaimed. Uniformly lauded, somehow, possibly even deliberately, he remained so far under the radar as to be non-existent. Not that his talent, or he, were easy to hide, both being immense. If The Wanderer: A Tribute to Jackie Leven opens a few more ears to his music, it will have served a purpose, although I suspect it may more appeal to the already converted, a hard knit, hardcore bunch who talk in awe of his live performances. Please let me be wrong, and if, as you read this, you find yourself unfamiliar with the name, go seek him out. A retrospective collection also released recently, Straight Outta Caledonia, is as good a place to start as anywhere.
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
Last year we polled our loyal band of Patreon-izers as to which Elvis Costello album they would like to read a Full Albums post about. The winner was This Year’s Model, and we duly dealt with it here. The runner-up, Armed Forces, has recently had its umpteenth revamp and re-release, making it entirely apt for it to addressed in turn.
1979’s Armed Forces was Costello’s third record all told, his second album with the Attractions, and the first actually bearing the Attractions’ name. It sold well, reaching #2 in the UK album charts and #10 in the US charts, notching platinum sales altogether in the former, gold in the latter. And, as stated, there have been a number of re-packages, notably in 1993 and 2002. 1993 added a few extra tracks, whilst 2002 threw in a whole extra disc, the selections on each chosen by Costello. This year’s release, Complete Armed Forces, goes a step further and is a mammoth box set (vinyl, naturally) with nine records.
But finding a decent set of covers proved elusive. Only now, thanks to a link being made available to one long-lost recording and to the commissioning of a totally new rendition of another, are we able to finally complete the circle.
My Darling Clementine is the name of UK husband and wife team of Michael Weston King and Lou Dalgleish, each with a track record ahead of starting to perform together some nine years ago. King was the leading light of mid-90’s Manchester Americana band, The Good Sons, who managed to take, with relative acclaim, their coals to Newcastle, recording and touring alongside and under the wing of Townes Van Zandt. A later solo career saw him working with Jackie Leven, and a feature of his occasional forays alone sees him play the songs of both Van Zandt and Leven, in a set of two halves. His wife has similarly had a career of her own, notably with her 2001 play “They Call Her Natasha,” self-performed and written and featuring her versions of the songs of Elvis Costello. The songs, some of which crop up on her other albums, also formed the basis of a tour.
Since 2010 they have put out four albums, in sometimes barbed tribute to the male/female, often husband/wife, duets of ’60s Nashville, and these have been extremely well received. The second, The Reconciliation, was described by Country Music People as “the best British Country record ever made.” Now they’re back with Country Darkness, Volume 1.