May 012026
 
Noah Kahan
Arlo Parks — Yukon (Justin Bieber cover)

The talk of Coachella this year was Justin Bieber—specifically, his controversial headlining set that featured, in part, him singing along karaoke-style to videos of himself he pulled up on YouTube. Plus, Geese debuted their old “Baby” cover live (while Sabrina Carpenter watched sidestage no less). But maybe the best Bieber happening this month was this great lo-fi cover by Arlo Parks.

Jamey Johnson – Pretty When It’s New (Merle Haggard)

Merle Haggard’s birthday saw two new covers drop. One’s in the next section. This first one’s even better though. Country singer Jamey Johnson dug deep—and late—for this pick. The song comes off one of Haggard’s final albums, 2010’s I Am What I Am. This is the same album that included “Bad Actor,” which Bob Dylan covered in concert a couple years ago. The album’s seemingly on its way to be the country version of Blackstar or You Want It Darker, a late-in-life masterpiece for the true heads. Continue reading »

Apr 142026
 
Los Dedos

“Paint It Black” is known as the song that brought the sitar to Western music. Though it wasn’t the first song to use it, it was the first big hit to feature it. It was such a big hit that it out-sold arguably The Stones‘ biggest song, “Satisfaction,” in the UK and Australia. This is kind of mind-blowing because it feels like “Satisfaction” is a much bigger song. (Total streams are on the side of “Paint It Black,” which is also kind of shocking.)

Los Dedos (“The Fingers”) are a Spanish-British surf rock trio (yes, that’s a thing apparently) who have been releasing music for five years. They are unabashedly surf, name-dropping Dick Dale, among others, on their Bandcamp page.

Sometimes there are covers that seem obvious only once they are realized. Sometimes you hear a new cover and you think “That’s so obvious, why didn’t anyone ever do that before?” I had that reaction to Los Dedos’ instrumental cover of “Paint It Black.”

In Los Dedos’ hands, the famous opening is a surf guitar instead of a sitar. There’s suitable reverb but it’s unmistakably “Paint It Black.” But then the drums kick in and it’s definitely surf music, complete with heavy tremolo on the guitar. The verses make so much sense, and when guitarist Willy Malo fully channels Dale’s playing during the pre-chorus it seems like this cover must have existed already. On the chorus there’s a classic double beat to complete the transformation.

It’s an extremely fun version of the song that feels like it should have existed forever.