Oct 272023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Velvet Underground and Nico

On October 27, 2013, ten years ago today, Lou Reed died. I happened to be in New York City at the time, and his passing was a lead story on the 11 o’clock news. It was as though a part of the city itself had died. Which, inescapably, it had. Reed embodied NYC, from its seedy back rooms to its secret heart, in a way few other people, let alone musicians, ever did.

While Reed’s solo career is highly and deservingly accoladed, it still got overshadowed by the Velvet Underground. Reed’s first band featured Welsh musician John Cale, guitarist Sterling Morrison, and drummer Maureen Tucker, with Nico singing on the first album and Doug Yule replacing Cale in 1968. The band’s four studio albums started ripples that turned into tsunamis; they went from secret-handshake status to Hall of Fame giants, their influence right up there with the Beatles.

We’re honoring Lou and Company with this collection of covers. Some covers couldn’t hold a candle to the original (you’ll find no “Heroin” here), but many of the originals were receptive to another artist’s distinctive stamp. Whether you prefer the first or what followed, you’ll hear the sound of immortality as it opens yet another path of discovery.

–Patrick Robbins, Features Editor

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Feb 242017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Ray Padgett

Ray Padgett founded Cover Me in 2007. He has a book about cover songs coming out in October (see #9 below) which you can preorder at Amazon.

For the past two weeks, our writers have been writing about the ten cover songs that matter the most to them (catch up here). I will be doing the same, but for me, the list is slightly different. I founded this site ten years ago this year, and the covers that are the most important to me double as the covers that are most important to Cover Me.

Any cover I’ve loved for the past decade has made its way to Cover Me, and many of Cover Me’s milestones became important covers to me – even ones that are basically coincidences. I don’t know how well I’d remember Lucinda Williams’ Shel Silverstein cover otherwise (though it’s worth remembering), but because premiering it was our first post of months of work re-designing and re-launching the site from scratch (RIP covermesongs.blogspot.com), it holds a special place in my heart.

So here are the songs that matter the most to me, which double as a history of this website from its inception to today. Whether you started reading us last week or last decade, thanks for you support all these years. See you in another ten.

– Ray Padgett
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Nov 012013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“Sweet Jane” is a great song. Released on 1970’s Loaded, the Velvet Underground’s last studio album featuring Lou Reed, it immediately became a staple of FM radio, despite its odd and provocative lyrics, unusual structure, and unconventional sound, and it continues to get airplay to this day. What’s the appeal? Part of it, of course, is the riff (which apparently includes a “secret chord”), part of it is the indescribable cool of Reed’s delivery, and part of it is that magic that makes some songs great and others not so much. According to Rolling Stone, it is the 335th greatest song of all time, which is curiously specific. And now, in honor of Reed’s passing earlier this week at the age of 71, the time has come to write about it here on Cover Me.
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