Jul 242015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

sticky

Sticky Fingers is the third of the Rolling Stones’ three records (the other two being Beggars Banquet and Let It Bleed) that defined their transition from great singles band to “the greatest rock and roll band in the world,” which at the time seemed no mere hyperbole. Furthermore, the 44 years on re-issue set is just out, both uniting and dividing its critics, and the band have just revisited the album by way of a complete live concert performance, arguably their strongest work this century (and it’s now available on iTunes).
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Jul 212014
 
johnny winter cover songs

In high school, a friend and I drove two hours to a blues festival in rural Maine one Saturday. When we got to the gate we found tickets to be well outside of our meager budget, but there was only one artist we’d wanted to see anyway: Johnny Winter. So we found a low fence we could peer over, and sat, and waited. Continue reading »

Jan 222014
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s your favorite cover song performed by an actor or actress onscreen?
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Mar 292013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

One day in 1949, Hank Williams passed a scrap of paper to fellow songwriter Jimmy Rule and asked, “Do you think people will understand what I’m trying to say when I say this?” Rule took one look at what was on the paper and told Williams not to worry. With good reason – he had just read a verse from “I’m So Lonesome I Could Cry,” a song that Elvis Presley would later call “probably the saddest song I’ve ever heard.” Continue reading »

Aug 082011
 

Festivals often entice artists to perform covers. What better way to convert the uninitiated than by drawing them in with a song they know and then (ideally) hooking them by transforming it into your sound? This past weekend’s Lollapalooza, though, seemed to offer even more cover performances than usual. Greg Kot of the Chicago Tribune even christened Saturday “#80snight” to keep track of all the ‘80s covers performed. Continue reading »

Jan 252011
 

Rockabilly artists, playing a hybrid of rock’n’roll and country music, formed the vanguard of musicians who broke a new form of music to the nation in the mid ‘50s. Though known as rock and roll pioneers, Elvis Presley, Jerry Lee Lewis, Gene Vincent and Bill Haley really played rockabilly. In an industry dominated by men, some women managed to find success, and none more so than Wanda Jackson. Crowned “The Queen of Rockabilly,” she released a series of singles in the ’50s and 60’s still coveted by genre aficionados today.

Recently recruited by the inexhaustible Jack White for his Third Man Records label, she recorded her latest album, The Party Ain’t Over, with his assistance as producer and bandleader. The album starts with a Dap-Kings-style horn intro leading into White ripping into “Shakin’ All Over”. The band sounds tight but not over-rehearsed, and White summons hellfire with his solos. Jackson deftly handles the vocal on the next track, Little Richard’s “Rip It Up” and the band plays as the title demands.

White’s presence looms large over the album, from the warm, analog sound of his production – you can almost feel the glow of the tubes – to the high-energy performances and inspired arrangements. Jackson seems, at times, unable match the sound White creates. She sounds out of her element vocally on tracks like “Busted” and “Like A Baby.” She falls flat on Amy Winehouse‘s “You Know That I’m No Good,” struggling to hit the notes and stripping the song of its drama.

Perhaps the error is in the song selection – apparently White’s domain – because Jackson nails the vocals on some of the tracks. She kills on Bob Dylan’s “Thunder on the Mountain”, never missing a beat. No easy task; many have tried to sing Dylan and failed miserably. If White had taken the limitations of Jackson’s voice more into account – she always did sound ‘unique’ – a better album would have resulted.

The Party Ain’t Over Tracklist:
01. Shakin’ All Over (Johnny Kidd & The Pirates cover)
02. Rip It Up (Little Richard cover)
03. Busted (Harlan Howard song most associated with Johnny Cash)
04. Rum and Coca Cola (The Andrews Sisters cover)
05. Thunder on the Mountain (Bob Dylan cover)
06. You Know That I’m No Good (Amy Winehouse cover)
07. Like a Baby (Elvis Presley cover)
08. Nervous Breakdown (Eddie Cochran cover)
09. Dust on the Bible (Gospel song most associated with Kitty Wells)
10. Teach Me Tonight (Sammy Cahn cover)
11. Blue Yodel #6 (Jimmie Rodgers cover)

Check out more Wanda Jackson on her website.