Well it’s kind of… sort of like.. there’s elements of.. but then there’s this… Sorry if I’m all over the place, trying to describe HONGJOONG’s cover of Linkin Park’s ‘Numb’ is really testing my ability to describe music. The leader of popular K-pop boyband ATEEZ’s solo single has certainly attracted some attention for his unique approach to this classic mid-’00s track.
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
– Ray Padgett
It’s sad that the incredible talent given to many musicians is burdened by demons such as addiction, anxiety, and depression. It’s sad that so much of the music that they give us is inspired by struggles that fuel those demons and can feel so unsurmountable. It’s sad to think of all of the people those musicians have helped with their music, only to succumb to the darkness themselves in the end.
We have lost another great musician with the passing of Chester Bennington. Bennington’s band Linkin Park realized the climax of the so-called nu-metal movement with their album Hybrid Theory, which successfully brought to the mainstream a combination of metal and pop (hence the “Hybrid”). The style that Linkin Park created resulted in accolades for the band and their albums as they continued to explore combining musical styles. Ultimately, though, it was the intensity, emotional depth, and point blank honesty in Bennington’s lyrics and delivery which resonated with so many.
A particularly gorgeous rendition of one of Linkin Park’s songs is Scott D. Davis‘s piano take on “In the End”. The melody is highly effective even without the support of a band.
Soon to be married, singer-songwriters, Carissa Rae and Michael Alvarado, have also joined forces musically forming the new duo Us. After a few successful YouTube and single collaborations, the pair has decided to release an album under their new name. Their first release was a cover of Rihanna and Calvin Harris’ “We Found Love.”
Nu-metal titans Linkin Park take a lot of flack, most of it entirely deserved. When we saw they covered Adele’s breakout smash “Rolling in the Deep” at London’s iTunes Festival over the weekend, we got ready to laugh. Would it be a rap-rock atrocity? A techno-laced shredder? None of the above. In fact, it’s what we expected least of all: good.