Apr 032013
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Electric, Richard Thompson’s newest album, followed the pattern of all his releases – first-rate material, critical hosannas, sales to his devoted core following, and no long-deserved breakthrough to the masses. Having been through this for four and a half decades now, he’d be forgiven for growing complacent with this level of acceptance; instead, he continues to take chances, and his playing and songwriting continue to stand astride a very tall mountain with very little room for others to join him at the peak. Continue reading »

Sep 142012
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Richard Thompson is an ideal subject for a tribute album. He’s been acknowledged as the most underrated guitarist in rock for so long he’s in danger of losing the title. His songwriting is inspired, both musically and lyrically. If his singing voice is by default the weak leg in the tripod, that only means a band can put their own stamp on it with greater ease. To top it off, his cult audience would guarantee small but significant sales to people who knew music and who would be more open to a wide range of approaches to Thompson’s songs. 1994’s Beat the Retreat: Songs by Richard Thompson is a gathering of some of Thompson’s best work, performed by disparate artists with devoted followers of their own, bringing all their contrasting styles to salute one man – as such, for all its flaws, it has become an archetypal tribute album. Continue reading »

Oct 142011
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Richard Thompson’s solo debut, Henry the Human Fly, began with a song that contained the line, “Don’t expect the words to ring too sweetly on the ear.” This would become his songwriting credo, as he penned lyrics that were incisive, emotive, and not the least bit sentimental, bringing them home with an equally biting guitar. His wife Linda sang with a powerful clarity, her voice full of aching, mischief, mourning, celebration, or whatever else the song might call for. She’s fully entitled to her equal billing. On their debut release as a couple, 1974’s I Want To See the Bright Lights Tonight, Richard and Linda Thompson report what they’ve encountered on a very British Desolation Row, in a musical language that could have been written half a millennium ago or the day after tomorrow. Continue reading »