Nov 242023
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The Pointer Sisters

When we think of The Pointer Sisters–June, Ruth, and Anita, L to R above–we tend to think of their fun, frothy, soul-pop ’80s mega-hits like “He’s So Shy,” “I’m So Excited,” “Jump (For My Love),” and “Automatic” (to name a handful). These deliriously happy 40-year-old (!) songs, with their “roller rink-aerobics class-cruise the strip in a neon pink convertible” vibes, still have the power to kickstart even the most jaded heart.

But those hits don’t tell the whole Pointer Sisters story. You see, in the late ’70s, just before the aforementioned hot fudge sundae of singles was unleashed, The Pointer Sisters released two bona fide, screaming, strutting, sexy ROCK albums in a row. This is the story of those rebellious years when The Pointer Sisters, beloved AM radio sweethearts, went totally FM. Let the fantastical and improbable tale begin…
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May 012020
 

‘The Best Ever’ series counts down our favorite covers of great artists.

john prine covers

Are there any bad John Prine covers?

I mean, sure, there are bad covers of anyone worth covering. But it struck me going through the many candidates for this list that they mostly ranged from transcendent on the high end to pretty good on the low. “Pretty good” was about as bad as it got! I don’t think you could say that for anyone else we’ve featured in this series. Continue reading »

Feb 162017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

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Seuras Og is 59 and ought to know better. Tipped toward journalism by his careers teacher, he instead opted for a career in Family Medicine. He lives in Lichfield, England. His Gaelic mother would be proud to see his nom de plume, a direct translation. Less proud that he is still talking about pop music in his 60th year. This is his 3rd year of writing his essays for Cover Me. He particularly enjoys drafting whole album covers like Legend or Hunky Dory.
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Sep 022015
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, from Cover Me staffer Jordan Becker: What’s a cover that made a significant, annoying, and/or unforgivable change to the original lyrics?
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Dec 182014
 

Follow all our Best of 2014 coverage (along with previous year-end lists) here.

A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.

It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.

We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

Dec 022014
 

In Defense takes a second look at a much-maligned cover artist or album and asks, “Was it really as bad as all that?”

Defense? I never knew Linda Ronstadt was under attack. OK, not true, I’ve known she tends to get many a sneery put-down from “real” musos, dissing both her voice and her choices of material, citing that “real” artists have way more credibility (and way fewer sales.) Beautiful but soulless, they call her and her voice, short on originality and innovation. A famous early putdown was around her being merely a competent backing singer, the irony being that ability potentially defines far greater technique than the relative ease of a solo performance, as those who have sung with her (Neil Young, Emmylou Harris, and legions more) have been more than happy to testify. I guess it stems down to generalizations around any successful artist, particularly if blessed also with photogenicity and famous boyfriends.
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