Feb 172023
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Baltimore covers

It seems a shame that people today know Randy Newman better known for Toy Story than for the rest of his career, but I guess that is a legacy few would mind having. Anyway, I doubt his accountant is complaining. Of course, Newman has a wealth of uberfans, who will crawl out of the woodwork at any such treason, proclaiming as to the width and wonder of his canon and his voice (both his writing voice and his distinctive drawl of a croak, each a different kind of acquired taste).

“Baltimore” is a perfect example of a Newman song that comes at a topic in an unconventional way. It’s not a love song to the city; indeed, Newman appreciated from the start that it might court some controversy. I have never been, but, between him and Bobby Bare, the picture painted of the Maryland city does not attract. From his 1977 album Little Criminals, backed by members of the Eagles, he near-decimates the postindustrial wreck of a city, counterbalancing the barbs with an actually quite delightful, if simple, melody. And his own vocal delivery isn’t half as bad as my memory suggested. Quite good, actually. Very good, even.

Good enough, certainly, to attract the ears of many of his contemporaries; according to the bible of cover versions, www.secondhandsongs.com, there have been upward of 20 versions since, and counting. Let’s find the five best.
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Dec 182020
 

Follow all our Best of 2020 coverage (along with previous year-end lists) here.

Typically, the world of cover songs does not change that much year-to-year. You can point to big shifts across decades, sure, but the difference between cover songs in 2018 and 2019, broadly speaking? Negligible. But 2020 was – in this as in everything else – very different.

As concerts ground to a sudden halt, musicians turned to live-from-quarantine home performances, first on their social media, then, once some kind of business model got built up, on various paid platforms. And cover songs were a big part of that. Some musicians did themed covers nights, like Ben Gibbard on YouTube early on or Lucinda Williams’ more produced Lu’s Jukebox series more recently. Others just felt the freedom in such an intimate environment to try things out, spontaneously covering influences, inspirations, or even songs they only half knew. We collected dozens of those early home covers in our Quarantine Covers series, and still only hit a small fraction.

Musicians eventually settled in, and productions got a little more elaborate than the staring-at-your-iPhone-camera look. Witness the heavy metal comedy series Two Minutes to Late Night, which transitioned from a long-running live show in New York City to a series of YouTube covers with dozens of metal-scene ringers covering songs from their couches, corpse paint and all. Witness Miley Cyrus’s endless series of killer cover locales, from a fire pit to an empty Whisky a Go Go. Or witness long-running radio covers series like BBC’s Live Lounge or Triple J’s Like a Version – often the source of a song or two on these lists. First they had musicians tape special covers from home, then, in the BBC’s case, they moved to a giant warehouse studio for suitable social distancing. (Triple J’s pretty much back to post-coronavirus business as usual – sure, Australia, rub it in.)

There’s one other major way covers reflected 2020, and it’s almost too painful to think about, so I’ll just list their names. John Prine. Adam Schlesinger. Hal Willner. Charley Pride. So many musicians taken by this virus, many reflected in some of these covers (Pride’s death happened after our list was finalized, but tributes are already rolling in). In a year filled with tragedies, covers offered one place for musicians and fans to find solace.

Many of the songs on our year-end list reflect this terrible year in one way or another. But you know what? Many don’t. Because covers can also offer a fun respite from all the stress. Doom metal Doobie Brothers? Post Malone on mandolin? A viral TikTok hit by a guy who calls himself Ritt Momney? Those have nothing to do with anything! But they’re what we live for.

– Ray Padgett, Editor-in-Chief

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Mar 152011
 

At the ripe old age of 21, Lianne La Havas’ voice is wise beyond its years. With a sound that is both reminiscent of a bygone era and as contemporary as Adele’s, Lianne brings a unique flavor to the music scene. This London songbird has been generating a lot of buzz lately and recently signed with Warner Brothers Records to work on the release of her first album. After listening to her recent cover of “Final Form” by the up-and-coming English rock band Everything Everything, it’s easy to understand why people are talking. Continue reading »