Nov 302020
 
best cover songs november
Ashley McBryde – You’re Lookin’ at Country (Loretta Lynn cover)

The Country Music Hall of Fame recently presented a video series called Big Night at the Museum, getting modern country and Americana artists to cover Hall of Famers. Lucinda Williams did Johnny Cash, Miranda Lambert did John Prine, and a bunch more. Best by a blonde-streaked hair was Ashley McBryde, a performer who skirts the line between country, Americana, and brawny rock, proving her bona fides on Loretta Lynn’s “You’re Lookin’ at Country.” Continue reading »

Feb 022018
 
strombo show covers

As an avant-garde jazz-influenced album, David Bowie’s final record Blackstar would seem damn-near uncoverable (unless you’re an avante-garde jazz band). But the songs keep getting covered, and by some surprising artists. Sting covered “Lazarus.” Nine Inch Nails covered “I Can’t Give Everything Away.” Amanda Palmber and Anna Calvi covered the title track. (So did Car Seat Headrest and Hiatus Kaiyote’s Nai Palm, blending it with Radiohead, no less).

The latest comes from indie-rock vets Spoon, who tackled “I Can’t Give Anything Away” on The Strombo Show, a radio program that is quickly become Canada’s answer to other international cover-shows BBC Live Lounge and Triple J “Like a Version.” Britt Daniel’s understated vocals deliver the quiet melody and bigger chorus perfectly, but the secret star of this stripped-down version might be pianist Alex Fischel. Needless to say, it sounds quite different than Nine Inch Nails’ take on the tune.

And, while we’re at it, here’s a bunch of other Strombo Show covers from recent episodes too. Continue reading »

Dec 192013
 

I’m not sure there were more great cover songs this year than any other. But there were more good ones.

What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s. Continue reading »