Nov 132024
 

Rarely Covered looks at who’s mining the darkest, dustiest corners of iconic catalogs.

Simple Minds

Simple Minds has existed for close to 50 years, featuring schoolboy friends Jim Kerr and Charlie Burchill, still the nucleus of the lineup. You have heard their music. At least one of their songs, anyway. In the US they are considered One Hit Wonders (even though “Alive and Kicking” hit #3). Here at Cover Me we have had not one feature on “Don’t You (Forget About Me),” but two, along with the occasional standalone mashup version. Nevertheless, it is atypical of their work. And when I say “work,” I mean that Simple Minds were the most commercially successful Scottish Band of the ’80s, and a version of the band records and continues to fill UK and European arenas each year.

Those decades of effort have had many important stages. It is not worth pretending that punk act Johnny and the Self-Abusers had such a glorious future, but once the band evolved into the electronic, Krautrock-flavored field, their sound began to take its mature form, in the albums Real to Real Cacophony and Empires and Dance, and the song “I Travel.” A switch of record labels led to a stream of single and album successes, hits across the world (but not yet the US). Their classic albums Sparkle in the Rain and Street Fighting Years endure as classics. They developed different, innovative, sounds and hit records with legendary producers like Trevor Horn and Jimmy Iovine. With occasional breaks they have remained active ever since. They have embraced many sounds and line-ups.  Fully 23 of their albums have been hits in the UK, 5 reaching number 1. Their live act remains a strength to this day; they toured extensively, pre-COVID, across the world, with big tours in the US, periodically strengthened by refugees from other Scottish rock bands around Kerr and Burchill. The breadth and vigor of their work is remarkable.
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Apr 122018
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

holidays in the sun covers

Two weeks ahead of their much-hyped, one and only studio album in 1977, the Sex Pistols – for the last time as a complete unit – first chummed the water with the release of their fourth and final UK single following “Anarchy in the UK,” “God Save the Queen,” and “Pretty Vacant.” The iconic sound of marching boots from the introduction of “Holidays In The Sun” marked the beginning of the single and also the first track on Never Mind The Bollocks Here’s The Sex Pistols.

Lyrically, the song can be best described as John (Johnny Rotten) Lydon’s sarcastic observations about the band’s getaway from London and as a critique of consumer culture. To escape its pressures, an ill-fated trip to the Channel Islands (“They threw us out.” said Lydon.) gave way to a two-week blowout in Berlin. He likened it to the exchange of one “prison camp environment” for another. Musically, the song lifted its chord progression from the Jam’s “In The City” and the riff subsequently went on to become recognized as one of Rolling Stone’s 100 Greatest Guitar Songs of All Time. It was also the first Sex Pistols single to give a co-writing credit to John Simon Beverly – also known as – Sid Vicious. It’s not clear who came up with the repeating chant of “Reason! Reason! Reason!”

A deep look at the countless covers available turned up the widest variety of genres for any Sex Pistol single (nearly a dozen) but only a relatively small group of standouts. No “cheap holiday” here – so join us as we go over the Berlin Wall! Continue reading »