As everyone from Rolling Stone to their hometown Philadelphia Inquirer have noted, Low Cut Connie’s Adam Weiner has been putting some of the best – strike that, the best – live streams of our quarantined era. In twice-weekly shows he calls “Tough Cookies,” Weiner, sometimes accompanied by guitarist Will Donnelly, strips down to his skivvies and plays a high-energy set with a whole lot of crowd participation – doubly impressive without an actual crowd. He also invites friends ranging from Dion to Big Freedia to join him (when’s he going to get his most famous fan in on the action?) If you haven’t watched one, you should; it’s at a whole different energy level than any other artist’s stream.
In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.
The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these covers great almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.
You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.
– Ray Padgett, Editor-in-Chief
Lana Del Rey has been one of the most polarizing artists in the 21st century pop world. Questions of authenticity have dogged her for her entire career, from criticisms of her so called adopted persona to her supposed affections supporting it. Every move has been ripe for attack. Criticism has often come wrapped in a thin veil of sexism; the fact is, her career blueprint is not much different from that of David Bowie’s. He was as calculated and theatrical in regards to his persona and product as they come, but the credibility of the music he produced was never in question.
The latest Del Rey album, Norman Fucking Rockwell! is not the work of a persona or a character; it is an open, brazen modern day love letter to the classically cynical, gorgeous California pop of the ’70s. Gone are the echo laden, girl group, Blue Velvet vibes that personified her previous recordings, Del Rey instead meshes lyrically caustic, in your face vocals with memorable melodies resting somewhere between post Pet Sounds-era Beach Boys and early ’70’s Joni Mitchell and wears her passion for these sounds on her sleeve. Prince once said when it came to making music, he would look at what his contemporaries were doing and go the other way. Del Rey is going the other way.
aeseaes – Realiti (Grimes cover)
Bandits on the Run – Back to Black (Amy Winehouse cover)
AURORA – Across the Universe (The Beatles cover)
The first of a couple Beatles covers this month, AURORA’s “Across the Universe” doesn’t reinvent the wheel, it just removes a few spokes. The Norwegian singer-songwriter strips everything away but keys and a bunch of voices (there’s a guitarist too, though barely audible). It’s all the song needs.
It’s been 23 years since Sublime released their self-titled studio album. It was their breakout record, gaining tons of airplay and new fans for the band. It was also their final album, released just months after lead singer Bradley Nowell’s death. One of the hit singles was “Doin’ Time”, a song built largely on samples and influenced heavily by George Gershwin’s oft-covered “Summertime”. Although it has aged well, it’s still a song that evokes the late 1990s. And then Lana Del Rey got a hold of it.