Dec 082023
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

This Old Heart of Mine

In 1965, the Isley Brothers were looking for a bigger label to help them grow, and found it in Tamla/Motown. The then-trio of O’Kelly, Rudolph and Ronald Isley sang this Holland/Dozier/Holland composition, Ronald on lead vocals, with Motown’s crack Funk Brothers session team on the instrumental heft. As with so many of the songs from Motown on the 60s, it is a masterclass of construction, from the opening propulsive percussion and the piano riff that immediately identifies it. The orchestra swoops in and the brothers start to emote, before Ronald pipes up with the lead vocal. The xylophone is a magical addition, a catalytic converter that seems to spark and stimulate the responses of Rudolph and Kelly. Magnificent, even as a honking sax plays a baritone solo, a song that has continued to resonate over the subsequent years.

“This Old Heart Of Mine” was first a hit in 1966, and was the Isley Brothers’ biggest Motown success, reaching (only!) number 12 on the Billboard chart that year. In the UK it fared worse, reaching number 47, and then better, hitting the number 2 slot on a 1968 re-release. It seems odd that Motown let them go shortly thereafter. Berry Gordy, who’s been known to make a mistake or two, told them that “It’s Your Thing” was not the kind of music he wanted them recording. But irreconcilable differences don’t always spell “The End.” Cue the brothers setting up their own label, and history!

So what other artists had old hearts that were weak for the song? Listen and learn…
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Apr 072021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

I Can't Help Myself

“Sugarpie, honeybunch” must be the most gloriously unselfconscious opening shot of almost any song I can think of, epitomizing the sheer unstoppable surge of soppiness true love can invoke in even the red bloodiest of macho men. Tagged to a monster of a melody that takes wings from the start, “I Can’t Help Myself” by the Four Tops couldn’t be a stronger declaration of fact; when you hear it, you just know that no-shrinking-violet Levi Stubbs really can’t help himself. It is so well constructed a song: the words, the melody, the never-better arrangement and the transcendent vocals, all add up to Motown at its mid-60s pinnacle. And the credits clearly don’t need any prompting–it could be nobody other than Holland-Dozier-Holland, oozing out of every pore of the vinyl, always vinyl, always 45 rpm.

Brothers Brian and Eddie Holland had been with Motown and Berry Gordy from the start, as both songwriters and performers, ahead of teaming up with Lamont Dozier, who similarly had been writing and performing on the fertile Detroit music scene. As a production and writing team together, they hit pay dirt, responsible for a huge proportion of the label’s output, and arguably the most responsible as anyone for the fame and fortunes of the Tamla Motown brand. The Supremes? Martha and the Vandellas? The Isley Brothers? Yup, they wrote most of their early hits, and a fair few for the Temptations, Junior Walker, Marvin Gaye and more. Plus, of course, the Four Tops, for me the earthiest and most authentic set of voices in the roster. The combination of the strained vocal of Stubbs, the writers deliberately pitching the songs to the top of his range, with the call and response backing vocals of Abdul “Duke” Fakir, Renaldo “Obie” Benson and Lawrence Payton is remarkable. Add in the exemplary musicianship of the legendary studio house band the Funk Brothers and it becomes unbeatable. Over four decades the recipe and the line-up, at least of the vocal group, didn’t change. And if the Hollands and Lamont didn’t write everything, wherever they were involved, they sure as hell produced and arranged it to sound as if they did.

Hitting the top of the Billboard chart for two weeks in 1965, “I Can’t Help Myself” was the second-biggest seller of the year, in a year of strong competition (you’ll never guess what number one was). How well has it fared since? And with whom? There are a lot of anodyne facsimiles, watering the soul and passion down into pappy would be chart fodder. But a few, just a few, have taken the ball and run.
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