Oct 302020
 
best cover songs 2000

Every year, I do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969 (in 2019), 1978 (in 2018), 1987 (in 2017), and 1996 (in 2016). And in 2020 we circle back to the not-so-distant past with the most recent year yet: 2000.

Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.

There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).

None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.

YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.

Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.

The list begins on Page 2.

Sep 302020
 
cover songs september 2020
Amigo the Devil – Before He Cheats (Carrie Underwood cover)

When we last heard Amigo the Devil, he was stripping down a Tom Jones song to create a haunting murder ballad. Now he does the same to another highly polished pop song – but a much more recent one. “[The original is] this very confidence-boosting, really good-feeling, power-infusing song,” Amigo’s Danny Kiranos told Rolling Stone. “I was curious what it would sound like if you took away the positive nature of it and kept the lyrics, essentially the emotions they are portraying.” Continue reading »

May 012020
 

‘The Best Ever’ series counts down our favorite covers of great artists.

john prine covers

Are there any bad John Prine covers?

I mean, sure, there are bad covers of anyone worth covering. But it struck me going through the many candidates for this list that they mostly ranged from transcendent on the high end to pretty good on the low. “Pretty good” was about as bad as it got! I don’t think you could say that for anyone else we’ve featured in this series. Continue reading »

Aug 082019
 
david byrne cover songs

Talking Heads only ever recorded one cover, and when I talked to David Byrne about it for my book, he seemed to have mixed feelings on the subject. “There’s always a little bit of resistance to recording a cover like that because it’s kind of a crowd pleaser,” he told me. “I’d seen it happen before, where radio DJs who pick what they’re going to play will often pick a cover song… So then a band gets known for covering somebody else’s song as opposed to writing their own material. They have to go through a struggle for years to get identified with their own songs.”

Talking Heads recorded “Take Me to the River,” it became their biggest hit up to that point, and Byrne said: That’s it. No more covers. The band never followed it up with a second.

He’s relaxed the rules a bit more in his solo career, most recently covering Janelle Monae’s “Hell You Talmbout” on tour (he says he’s bringing the cover to Broadway, too). And clearly he’s been listening to covers. For his DB Radio show on his website, he just compiled a wonderfully eclectic mix of his favorite covers. The theme, he says, is artists doing the unexpected, from Sonic Youth covering The Carpenters to Miley Cyrus covering Nine Inch Nails. And when the song choice itself may not be surprising – Patti Smith covering the Rolling Stones, say – the arrangements are. Here’s what he wrote on his website: Continue reading »

Aug 222014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The rock and roll bands that slammed on the brakes and took the turnoff at country music are numerous. Gram Parsons got high with Keith Richards and “Dead Flowers” was born. The number of times Elvis Costello has cheated on rock and roll with country’s graces is too numerous to count. Jack White turned the knobs for Loretta Lynn. And so on.

The postpunk and indiepop bands that have segued into a Ryman act are no less numerous. X gave birth to the Knitters. The New Pornographers cut loose chanteuse Neko Case. And the Archers of Loaf’s Eric Bachmann disbanded all notions of his indie rock band and spread out into numerous directions, including the roots rock band Crooked Fingers.
Continue reading »

Dec 062013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

By now it’s hard to find a little-known Rolling Stones song that deserves to be better known, but “Back Street Girl” absolutely qualifies. Originally on their 1967 album Between the Buttons, it was stripped from that release in the U.S. and slapped onto the odds ‘n’ ends collection Flowers. It’s a showcase for Mick Jagger to be even more unpleasant about a woman than he is in “Under My Thumb,” as he’s dismissing a girl to her face, calling her “rather common and coarse,” but still wanting her at his beck and call when nobody’s looking. All this is done in waltz time, with a truly pretty melody; put them together and you have a song that’s a prime candidate for the next Wes Anderson soundtrack.
Continue reading »