Every week the names doing these covers from home just get bigger. This past week got a boost from Global Citizen’s all-star charity event, from which several of today’s set come, as well as one major appearance in last night’s Jersey for Jersey fundraiser (Fountains of Wayne’s heartbreaking “Hackensack” from that is worth watching too, though, except for guest bassist Sharon Van Etten, it’s not a cover).
But, amidst the all-stars, musicians at every level continue to take to the internet to perform covers. We’ve got some of the best we’ve seen below. As always, we make no claims to being comprehensive, so share any other favorites in the comments.
During the mid-1990s, there were fewer rock-pop crossover bands bigger than Hootie and the Blowfish. But their decline at the end of the decade paralleled their meteoric rise. When the band called it quits in 2008, there was little fanfare or farewell.
Kirsten Agresta Copely is a harpist with a storied background. She has played harp since she was five and had her first solo tour at fourteen. Over the course of her career she has performed all over the world and shared the stage and recording studio with a variety of stars such as Stevie Wonder, Jay-Z, and Evanescence. She has even played alongside Beyoncé at a state dinner for Barack Obama.
At the end of last month, Copely released her first cover album. You may think an album of harp covers is a bit niche for everyday listening, but if you are looking for a cover album with class for your next dinner party, look no further. There is something for everyone on Copely’s new album with selections that span decades, from Fleetwood Mac to Rhianna.
Beyoncé – Before I Let Go (Maze cover)
Last week, Beyoncé surprised-dropped her live album Homecoming. It accompanied the Netflix film of the same name, which immortalized her lionized 2018 Coachella performance. The biggest surprise of all was the bonus track: a cover of Maze’s 1981 “Before I Let Go.” The original song wasn’t a huge hit when it first came out, but has grown to be referred to sometimes as the “black national anthem.” Beyoncé brings it right up to the present with a big production including marching band, new rap verse, and a sample of New Orleans bounce artist DJ Jubilee.
They Say It’s Your Birthday celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!
Here’s a stumper: Is it more correct to ask who Grace Jones is, or what Grace Jones is? The model-actress-singer-diva-icon turns 70 today, and her appeal—which might once have appeared to be a particularly long-running flash in the pan—shows no signs of abating. The documentary Bloodlight and Bami, an intimate look at the performer, came out this year, and her memoir I’ll Never Write My Memoirs was a notable book of 2015.
Jones materialized onto the dancefloors and catwalks of mid-70s New York as if dropped from a passing spaceship. Single-handedly redefining “exotic”—back in the days when that questionable term meant “non-Caucasian”—Jones brought a fierce and, for the time, shockingly confrontational androgyny to the pages of fashion glossies. Simultaneously tribal, futurist, techno and primitive, Jones and her trademark glare fairly leapt off the page, daring you to look away. Many could not, and her modeling career, launched in 1966 when she was 18, has never truly ended.