Mar 272026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Led Zeppelin

Jimmy Page and John Paul Jones were veteran session musicians. Robert Plant and John Bonham hadn’t turned 21 yet. The first time the four of them got together, they played “Train Kept A-Rollin’,” and in Jones’s words, “the room just exploded, we could see the grins spreading, and we said, ‘Right. We’re on, this is it, this is going to work!'”

Eleven years and change later, the band released a statement: “We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were.”

In between, the band that someone predicted would go over like the world’s biggest lead balloon became the biggest band in the world. Led Zeppelin were pioneers in so many ways. Hard rock, AOR, studio wizardry, stadium touring, album cover design – all saw the band at the forefront. Most importantly, their music was what brought people to them, and what kept them there. All the members were among the best in the world at what they did, and together their alchemy made their songs, whether loud or soft, catch in their listener’s minds and hearts.

When Francis Malofiy called Led Zeppelin “the greatest cover band in all of history,” he didn’t mean it as a compliment. Malofiy was the attorney suing Zeppelin for stealing “Stairway to Heaven”‘s opening riff from the Spirit song “Taurus,” and he certainly wasn’t the first to take the band to court to get songwriting credit. But whether the greatest cover band in all of history synthesized, swiped, or supplanted their influences, the cover bands that came after them were given deep, deep cupboards to plunder, and plunder they did.

We’ve come up with thirty-five top covers of Led Zeppelin songs. Like the band, they branch into blues, country, reggae, folk, and hard rock (and, unlike the band, even jazz). Like the band, they take something great and make it greater. And like Robert, Jimmy, John and John, once you hear it working, your grin is going to spread.

–Patrick Robbins, Features Editor

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Oct 222010
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Elliott Smith’s 1997 release, Either/Or, strikes the perfect balance between the stripped-down acoustic recordings of his early career and the more fleshed-out arrangements that he would later explore. It doesn’t hurt that the album contains some of his most memorable melodies as well.

With its near-whispered vocals and dark lyrics, Elliott Smith’s music has always had a personal, headphone-music quality to it—you don’t see many summer barbecue mixes blaring tracks like “2:45 AM.” As a result, the best covers of his songs tend not to stray far from the singer-recording-in-his-bedroom model, but we’ve also included some of the more adventurous interpretations of his work. Continue reading »

Oct 122010
 

Recording a tribute album is a tricky proposition. Taking on an iconic band like Led Zeppelin increases the risk significantly. And trying it with 39 tracks (51 if you include the digital bonus tracks)? That’s a lot of freakin’ songs. Some of Led Zeppelin’s songs are even covered more than once in this collection. This project is the brainchild of Rob Jones, who runs the Jealous Butcher record label (home of The Decemberists and M Ward among others), and has been over five years in the making.

I, like so many others, love Led Zeppelin. I have all of their albums, box sets, and various paraphernalia. Led Zeppelin soundtracked my teenage years, helped me realize how bad most ’80s hair bands were (thanks guys) and led me to discover other great musicians Led Zeppelin cited as influences. Because their musicianship and writing is so strong, any cover will instantly be compared to the iconic original. Therein lies the rub for an artist attempting a Led Zeppelin cover. Completely re-imagine a song and risk being torn apart by the purists; stay too faithful and be told that your cover pales in comparison to the original.  Some artists on The Land of Ice & Snow are faithful to the original, others…not so much. One of the few times being unfaithful is a good thing. Continue reading »