Jun 132022
 

When Neneh Cherry made that huge international splash in 1989 with her debut album, Raw Like Sushi, it was the result of a big collaborative effort, or, as she put it, “just having fun with my friends.” The Sweden-born and US- and UK-raised singer-songwriter put the record together with producer Cameron McVey (her soon-to-be husband), Tim Simenon of Bomb the Bass, and various members of the Bristol (England) Wild Bunch collective, including DJ Nellee Hooper, and future founders of Massive Attack 3D, and Mushroom. But she also happened to be one of the most charismatic female performers of her generation, who galvanized the 11 distinctive pop/rap/dance songs with her energy, attitude, sexiness, and bomber-jacket cool, while providing the perfect street-tough antidote to the ubiquitous girl-next-door tweeness of Kylie Minogue. She was central, indeed, to a new era of defiant women in hip-hop, who influenced everyone from MIA to Rihanna to daughters Mabel and TYSON, without letting a little thing like being six months pregnant compromise her dance moves on Top of the Pops.

Cherry now cites a collaborative spirit in the revival of such iconic Sushi tracks as “Buffalo Stance” and “Manchild” on The Versions, billed as a Neneh Cherry album while, in fact, featuring a bumper crop of current female artists taking the lead on her tunes. You might call it a tribute album, but Cherry calls it a collection that came about by “asking some of the favorite divine women of our time to record their own versions of these pieces.” She also says it’s the outcome of “a new generation of visionaries” reworking the tracks on the understanding that she doesn’t “own” them. And while the Sushi numbers are the most prominent of the ten included here (with both “Buffalo Stance” and one version of “Manchild” having been released as singles), the assembled artists also offer new takes on material across the singer’s subsequent two albums: 1992’s Homebrew, and 1996’s Man.
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Jan 262021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

I'm Not In Love covers

In 1974, after kicking out two albums worth of infectious, absurdist and wonderfully weird pop music, Graham Gouldman, Eric Stewart, Lol Creme and Kevin Godley, a.k.a. 10cc, sat down and decided they’d try something new. As Gouldman later described it, “we’d been discussing writing a love song.” And so began the saga of the most heavenly and eccentric ballad to ever grace the AM radio airwaves and sneakily embed itself into innocent Valentine’s Day playlists, “I’m Not In Love.”

The song was famously inspired by a complaint issued to Stewart by his wife Gloria after they’d been married for a few years, specifically “you don’t say ‘I love you’ much any more.” His defense was that if he said it too often the words would lose their impact and sound both cavalier and insincere. As Stewart explained to The Guardian in 2018:

I started wondering how I could say it without using those actual words. So “I’m not in love” became a rhetorical conversation with myself – and then a song. I wrote the lyrics in a couple of days.

The song’s famously incongruous lyrical line, “I keep your picture upon the wall, it hides a nasty stain that’s lying there” was not in fact a joke, but an actual real life remembrance. Stewart did indeed utilize a photograph of Gloria to cover a crack in his bedroom wall at his parents house in Manchester.

Still, it took some time for the song to morph into the evergreen behemoth we know and love today. Stewart felt the tune needed some refining and engaged Gouldman to assist him. They both loved “The Girl From Ipanema” and so decided to set “I’m Not In Love” to a bossa nova beat. They recorded it with bandmates Godley and Creme the old-fashioned way with guitar, bass and drums… but Godley in particular was unimpressed with the result, cuttingly declaring the song to be “crap.” And with that, the band decided to abandon the song and began working on other tracks.

Yet “I’m Not In Love” refused to go away quietly. Seems its insidious melodic charm had infected the studio staff, resulting in their regularly humming it around the office. This was duly noted by Stewart and led to his convincing the band to give “I’m Not In Love” another chance. Begrudging brainstorming sessions ensued and ironically it was Godley who came up with the most ingenious idea to better the song, suggesting that it be constructed using only voices; “the biggest choir you can imagine.” Lol Creme took the baton from there, mentioning that the grand choral sound could be created most efficiently by using tape loops. For 3 weeks the band sang and recorded vocal parts, adding layer upon layer with the cumulative total landing at somewhere around 624 voices. Combine that with fleshed out instrumentation, some Fender Rhodes, guitar, bass and Moog synthesizer, a toy music box, and an unspeakably gorgeous lead vocal from Stewart and “I’m Not In Love”…was still not finished. The famous (and sometimes polarizing) final touch involved persuading studio receptionist Kathy Redfern to fill in the bridge by whispering the words “big boys don’t cry.”

With that, voila: a classic was born. The song enjoyed massive success in the most prestigious pop charts, hitting #1 in the UK pop charts and #2 in the U.S in 1975.
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Dec 132019
 
best cover songs of 2019

In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.

The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these covers great almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.

You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.

– Ray Padgett, Editor-in-Chief

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Jan 312019
 
best cover songs january
Beck – Tarantula (Colourbox cover)

Few expected the movie Roma to be as big a hit as it was (it’s tied for the most Oscar nominations). Even Sony must not have, as they’re just getting around to releasing a soundtrack two months after release – and as Music Inspired By The Film Roma, i.e. must that doesn’t actually appear in the film. But Beck’s beautiful cover of 4AD group Colourbox arrives better late than never. Accompanied by an orchestra and Leslie Feist on backing vocals, he’s never sounded more like Peter Gabriel. Continue reading »