Mar 272026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Led Zeppelin

Jimmy Page and John Paul Jones were veteran session musicians. Robert Plant and John Bonham hadn’t turned 21 yet. The first time the four of them got together, they played “Train Kept A-Rollin’,” and in Jones’s words, “the room just exploded, we could see the grins spreading, and we said, ‘Right. We’re on, this is it, this is going to work!'”

Eleven years and change later, the band released a statement: “We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were.”

In between, the band that someone predicted would go over like the world’s biggest lead balloon became the biggest band in the world. Led Zeppelin were pioneers in so many ways. Hard rock, AOR, studio wizardry, stadium touring, album cover design – all saw the band at the forefront. Most importantly, their music was what brought people to them, and what kept them there. All the members were among the best in the world at what they did, and together their alchemy made their songs, whether loud or soft, catch in their listener’s minds and hearts.

When Francis Malofiy called Led Zeppelin “the greatest cover band in all of history,” he didn’t mean it as a compliment. Malofiy was the attorney suing Zeppelin for stealing “Stairway to Heaven”‘s opening riff from the Spirit song “Taurus,” and he certainly wasn’t the first to take the band to court to get songwriting credit. But whether the greatest cover band in all of history synthesized, swiped, or supplanted their influences, the cover bands that came after them were given deep, deep cupboards to plunder, and plunder they did.

We’ve come up with thirty-five top covers of Led Zeppelin songs. Like the band, they branch into blues, country, reggae, folk, and hard rock (and, unlike the band, even jazz). Like the band, they take something great and make it greater. And like Robert, Jimmy, John and John, once you hear it working, your grin is going to spread.

–Patrick Robbins, Features Editor

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May 122025
 
sasami

In honor of Mental Health Awareness Month and AAPI Heritage Month, Los Angeles-based artist, SASAMI (Sasami Ashworth) released a poignant cover of the Yeah Yeah Yeahs‘ indie anthem “Maps.” This rendition is part of the “Song That Found Me at the Right Time” series, a collaboration between the nonprofit Sounds of Saving and the 988 Suicide & Crisis Lifeline, aiming to highlight the therapeutic power of music. Filmmaker Rita Baghdadi directed the PSA video. It starts with a brief introduction by the indie artist before gliding into the music. Sasami casually sits on the floor, chatting about her admiration for Karen O, one of the few Asian Americans in the rock scene in the early 2000s. She highlights “Maps” as one of the songs that showed her the cathartic nature of writing music. Continue reading »

Mar 282025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best david bowie covers

If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting. – David Bowie

In March 1975, David Bowie released Young Americans, the album that saw him move from glam rock to Philly soul. It was his first top ten album in America, featuring his first number one song in “Fame.” Fifty years later, that golden anniversary is enough of a hook to hang a Cover Me Best Covers Ever feature on. But the remarkable thing about David Bowie is, this was little more than a blip in his career. He had other personas to invent, other forms to master, other brilliancies to create. And he wouldn’t rest until (long after) he did.

Bowie’s influence on popular culture cannot be overstated, and not just in the music world – I’m convinced that roughly one-third of Tilda Swinton is David Bowie. For millions of misfits worldwide, he himself was the freak flag, the one who made it okay to be other than. I’ll help you with the pain, he sang. You’re not alone. Give me your hands. ‘Cause you’re wonderful. It’s a message that still sings out today, in Bowie’s songs and in the work of those he influenced.

Now, with these forty covers, we have a combination of the two. Bowie recorded the earliest song here at the age of twenty, the most recent at sixty-eight, months away from his death. It’s a true wonder how high the bar of quality stayed for nearly half a century. It’s not a wonder how good the covers are, though – when inspired by the one who inspired them to step up, step out, step on stage, everyone here went a little bit out of their depth and did something exciting.

And now, let’s dance.

– Patrick Robbins, Features Editor

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Apr 012021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best queen covers

There is no Queen without Freddie Mercury. On a fundamental level, we all agree that is true. But, if you want to be literal about it, there is Queen without Freddie Mercury. Thirty years after Freddie’s death, the show must go on, and so the band still exists. Adam Lambert now sings Freddie’s parts on tour, just as Paul Rodgers did before him. The Bohemian Rhapsody movie included some new vocal recordings – not by star Rami Malek, but by Canadian singer Marc Martel. And then of course there are the many singers who fronted Queen at the 1992 Freddie Mercury Tribute Concert, broadcast to an audience of up to one billion people. (If you haven’t watched George Michael singing “Somebody to Love” or Annie Lennox joining David Bowie for “Under Pressure,” go do that now, then come back.)

Suffice to say, millions if not billions of people have heard Queen songs sung by singers other than Freddie Mercury. But none of those we just mentioned are covers, strictly speaking, since they feature most or all of the band’s three surviving members. Bassist John Deacon has since departed – and his joining Queen fifty years ago this month, solidifying the lineup, marks the anniversary we’re pegging this post to – but guitarist Brian May and drummer Roger Taylor have kept the Queen name alive. No doubt, when touring becomes a thing again, Queen will be back on the road once again.

The forty actual covers on our list do not feature any members of Queen. As such, they’re free to roam much further afield than Adam Lambert or George Michael, turning the band’s hits and the occasional deep cut into genres from polka to punk, a cappella to acoustic instrumental. Queen dabbled in so many different genres during their time – I mean, “Bohemian Rhapsody” alone! – I think they’d appreciate how malleable their songs can be. Even when they’re not the ones performing their songs, Queen will rock you.

Or, in one case, polka you.

The list begins on Page 2.

Dec 182020
 

Follow all our Best of 2020 coverage (along with previous year-end lists) here.

Typically, the world of cover songs does not change that much year-to-year. You can point to big shifts across decades, sure, but the difference between cover songs in 2018 and 2019, broadly speaking? Negligible. But 2020 was – in this as in everything else – very different.

As concerts ground to a sudden halt, musicians turned to live-from-quarantine home performances, first on their social media, then, once some kind of business model got built up, on various paid platforms. And cover songs were a big part of that. Some musicians did themed covers nights, like Ben Gibbard on YouTube early on or Lucinda Williams’ more produced Lu’s Jukebox series more recently. Others just felt the freedom in such an intimate environment to try things out, spontaneously covering influences, inspirations, or even songs they only half knew. We collected dozens of those early home covers in our Quarantine Covers series, and still only hit a small fraction.

Musicians eventually settled in, and productions got a little more elaborate than the staring-at-your-iPhone-camera look. Witness the heavy metal comedy series Two Minutes to Late Night, which transitioned from a long-running live show in New York City to a series of YouTube covers with dozens of metal-scene ringers covering songs from their couches, corpse paint and all. Witness Miley Cyrus’s endless series of killer cover locales, from a fire pit to an empty Whisky a Go Go. Or witness long-running radio covers series like BBC’s Live Lounge or Triple J’s Like a Version – often the source of a song or two on these lists. First they had musicians tape special covers from home, then, in the BBC’s case, they moved to a giant warehouse studio for suitable social distancing. (Triple J’s pretty much back to post-coronavirus business as usual – sure, Australia, rub it in.)

There’s one other major way covers reflected 2020, and it’s almost too painful to think about, so I’ll just list their names. John Prine. Adam Schlesinger. Hal Willner. Charley Pride. So many musicians taken by this virus, many reflected in some of these covers (Pride’s death happened after our list was finalized, but tributes are already rolling in). In a year filled with tragedies, covers offered one place for musicians and fans to find solace.

Many of the songs on our year-end list reflect this terrible year in one way or another. But you know what? Many don’t. Because covers can also offer a fun respite from all the stress. Doom metal Doobie Brothers? Post Malone on mandolin? A viral TikTok hit by a guy who calls himself Ritt Momney? Those have nothing to do with anything! But they’re what we live for.

– Ray Padgett, Editor-in-Chief

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Nov 302020
 
best cover songs november
Ashley McBryde – You’re Lookin’ at Country (Loretta Lynn cover)

The Country Music Hall of Fame recently presented a video series called Big Night at the Museum, getting modern country and Americana artists to cover Hall of Famers. Lucinda Williams did Johnny Cash, Miranda Lambert did John Prine, and a bunch more. Best by a blonde-streaked hair was Ashley McBryde, a performer who skirts the line between country, Americana, and brawny rock, proving her bona fides on Loretta Lynn’s “You’re Lookin’ at Country.” Continue reading »