In the Spotlight: The Replacements

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Feb 262014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

In the 1980s, there was one artist that Minneapolis became known for. And that was Prince.

But if you took the bus to the bad part of town, watching the blight and the snowy misery go by through fogged up windows, you would eventually spot a burned-out, abandoned, and graffiti-tagged little red Corvette: perched up on blocks, stuffed with liquor bottles in the back seat, and harboring a coffee can in the front filled to the brim with cigarette butts. If you opened the door, you would find a floor littered with cassettes. K-Tel. Kiss. Big Star. And if you ran the VIN number, you’d find the owner to be the Replacements.
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Dashboard Confessional’s Chris Carrabba Gives a Taste of His Upcoming Solo Cover Album

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Nov 112011
 

As the frontman for alt-rock heroes Dashboard Confessional, Chris Carrabba has been capturing ladies’ hearts with his angsty, swoon-worthy voice since 2000. Now it seems that the Connecticut-born singer is ready for something new. This winter he’s embarking on an acoustic tour, but this time around he’ll be flying solo – just a man and his trusty guitar. And Covered in the Flood, Carrabba’s first solo album featuring nothing but covers, will be available at his shows. He generously gave the public a little taste of what’s coming by sharing five of the ten tracks. Continue reading »

Review: Various Artists, ‘Rave On Buddy Holly’

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Jun 272011
 

Rave On Buddy Holly, arguably the most hyped cover album of the year, finally drops this week. Rampant previews hinted that the album would be something special, and the A-list lineup of artists doesn’t disappoint. Rave On is a solid, carefully curated collection of tracks from Buddy Holly‘s surprisingly extensive catalog, a worthy tribute to the rock pioneer.

Choosing standouts from such a varied and high-profile set of covers is a challenge. Some of the best moments come from contributors who chose to keep their covers low-key. Dan Auerbach’s vocals gracefully carry the Black Keys‘ quiet, percussion-based opener “Dearest,” while Fiona Apple and Jon Brion trip through a pitch-perfect duet in “Everyday.” My Morning Jacket offers the elegantly subdued “True Love Ways,” embellished with a lovely string section. Continue reading »

New Buddy Holly Tribute Features My Morning Jacket, Paul McCartney, The Black Keys, and Tons More

 Posted by at 12:00 pm  5 Responses »
Apr 282011
 

And the winner for Most Anticipated Tribute Album of 2011 goes to…

Rave On Buddy Holly, coming June 28th to celebrate what would be Buddy Holly’s 75th birthday this fall. This tracklist defines the term “stacked.” From veterans like Paul McCartney and Patti Smith to newer breakouts like She & Him and Cee-Lo Green, every one of the 19 tracks looks to be another potential stunner. My Morning Jacket crooning “True Love Ways”? The Black Keys rocking “Dearest”? John Doe doing who-knows-what to “Peggy Sue Got Married”? Continue reading »

Review: Broken Hearts and Dirty Windows: Songs of John Prine

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Jun 222010
 

The amazing thing about this album is that it didn’t come sooner. An indie-Americana tribute to country/folk songwriter John Prine seems so inevitable. He may never have become a household name, but anyone who ever recorded a song with steel guitar or mandolin knows Prine. With bands like My Morning Jacket and the Avett Brothers spearheading an alt-country revival, Prine’s slyly sarcastic songs about love and life are due a second showing.

The artists who appear on Broken Hearts and Dirty Windows: Songs of John Prine comprise a who’s-who of young folk/Americana bands, but these obvious admirers choose some very non-obvious tracks. The usual-suspect songs are largely missing in action. No “Paradise,” no “Sam Stone,” no “Illegal Smile.” The only no-duh selection is “Angel from Montgomery,” one of four songs from Prine’s self-titled debut. The rest span the gamut, dusting off tunes from the ‘80s and ‘90s alongside the canonical ‘70s material.
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