Aug 282026
 
Best Cover Songs of August 2026
Joy Oladokun — The Thrill Is Gone (B.B. King cover)

Tied to America’s 250th birthday, Salt Lick Sessions’ “Songs of U.S.” series features musicians covering “songs that have shaped the country’s cultural identity while exploring what belongs in the American songbook today.” Nashville singer-songwriter Joy Oladokun selected Roy Hawkins and Rick Darnell’s “The Thrill Is Gone,” best known for the B.B. King version. She says the song “feels really powerful without being so poetic that people could be left behind.” Unlike many of the King-inspired blues-rock covers that feature copious guitar solos, she strips it back to a beautiful folky ballad. She also covered “Ain’t No Sunshine.” Continue reading »

Aug 192026
 
Kathleen Hanna and Ad-Rock

Kathleen Hanna and her husband Ad-Rock have teamed up for a Justin Bieber cover to raise money for Contra-ICE, a group dedicated to fighting the US Immigration and Customs Enforcement agency. The album is titled Contra-ICE, Vol. 1:ICE Out and features contributions from folks like Jello Biafra, Fred Armisen and Fishbone.

Hanna and Ad-Rock’s contribution is a cover of Justin Bieber and DJ Snake‘s 2016 collaboration, “Let Me Love You.” The song was produced by Beasties Boys collaborator Mario Caldato Jr., and features Money Mark, Fredo Ortiz and Frank Figueroa. (Hannah is best known for her work with the bands Bikini Kill and Le Tigre, while Ad-Rock was a member of The Beastie Boys.)

For Hanna, it was a special opportunity she was not going to let pass by. In a statement, she said, “It’s not often you get to play music with your favorite people while working with a grassroots organization like Contra-ICE. They are passionately fighting against fascism and white supremacy, which is something none of us can afford to ignore. Thank you so much to Contra-ICE for making this happen and allowing me to represent what we collectively stand for.”

Contra-ICE, Vol. 1:ICE Out will be available in all formats on October 2nd.

May 012026
 
Noah Kahan
Arlo Parks — Yukon (Justin Bieber cover)

The talk of Coachella this year was Justin Bieber—specifically, his controversial headlining set that featured, in part, him singing along karaoke-style to videos of himself he pulled up on YouTube. Plus, Geese debuted their old “Baby” cover live (while Sabrina Carpenter watched sidestage no less). But maybe the best Bieber happening this month was this great lo-fi cover by Arlo Parks.

Jamey Johnson – Pretty When It’s New (Merle Haggard)

Merle Haggard’s birthday saw two new covers drop. One’s in the next section. This first one’s even better though. Country singer Jamey Johnson dug deep—and late—for this pick. The song comes off one of Haggard’s final albums, 2010’s I Am What I Am. This is the same album that included “Bad Actor,” which Bob Dylan covered in concert a couple years ago. The album’s seemingly on its way to be the country version of Blackstar or You Want It Darker, a late-in-life masterpiece for the true heads. Continue reading »

May 312024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sisters of Mercy

As regular readers know, here at Cover Me we put together a Best Covers Ever list every month for a celebrated artist. We’ve recently done the Pet Shop Boys and Sheryl Crow. And before them we did the biggie – The Beatles – and before them, Bob Dylan! But every now and again, there’s a particular genre that’s crying out for the Best Covers Ever treatment – and this month it’s the Dark Genre. It’s goth!

So why now, you ask? Are goth covers really a thing? And why don’t Alien Sex Fiend or Fields of the Nephilim have their own Best Covers Ever features?

Fair questions, all. First off, goth music is everywhere right now. It may have emerged out of the UK post-punk scene and enjoyed its most innovative period from 1980 to 1982, but it’s now the reason we have Whitby Goth Weekends in April and November (well, that and Count Dracula), World Goth Day on May 22, and goth nights down the Hatchet Inn in Bristol most nights, particularly Thursday. It’s also why we have heaps of goth books on the market right now, from John Robb’s The Art of Darkness to Lol Tolhurst’s Goth: A History and Cathi Unsworth’s Season of the Witch, all trying to explain goth’s lasting influence as a musical subculture: the fixation with death, the dark theatricality, the Victorian melodrama, the leather, the thick black eyeliner, the fishnet tights, the deviance, the sex, the deviant sex, and, of course, spiders. Continue reading »

Feb 282022
 
best cover songs
Blacktop Mojo – My Girl (The Temptations cover)

You may listen to the gentle plucking when this begins and thing, boy that’s not what I expected from that band photo. Is this an acoustic flying V? Blacktop Mojo’s “My Girl” stays pretty and meditative for over half the run time, turning the oldies classic into a pretty folk-rock ballad. Eventually, though, true to that long-hair-and-leather image, the heads start banging and axes start shredding. Continue reading »

Apr 102020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Justin Timberlake's "Cry Me a River"

Justin Timberlake was one of the rare artists who successfully escaped a ’90s boy band to become a “serious” and respected artist. This was almost unheard of at the time; many “leaders” of bands failed to breakthrough as solo artists, let alone boy bands. But Timberlake paved the way for others like Harry Styles to flourish beyond their first act. However, Timberlake did not do it alone. Timbaland and The Neptunes, a production duo made up of Pharrell Williams and Chad Hugo, helped craft Timberlake’s first solo album Justified.

I didn’t always know this fun fact. I recently re-discovered Timbaland’s Shock Value and Shock Value II, and although I appreciated the wide variety in collaborators (Jet, Fall Out Boy, Chad Kroeger, and Elton John are some of the most surprising), I realized that Timberlake and Timbaland sure were collaborating a lot. Then I started to do some digging and realized how influential Timbaland was in Timberlake’s career. Throwing the whole way back to Justified put Pharrell on my radar as well. I then wondered how many other artists these two had influenced in a similar way, and with that question, this week of posts was born.

I discovered that The Neptunes produced hits like “Señorita,” “Like I Love You,” and “Rock Your Body,” while Timbaland produced “Cry Me a River” and the less mainstream but still impactful “Right for Me” and “(Oh No) What You Got.” Since then, Timbaland has been involved in each of Justin Timberlake’s solo albums, helping Timberlake to bring SexyBack and rock a Suit & Tie, among other good deeds. He is even involved in the Trolls soundtrack! Man in the Woods also reunited Timberlake, Timbaland, and The Neptunes. Where would Timberlake be without these two?!

After a week of exploring the influences of the two triple threats Timbaland and Pharrell Williams (they write, they produce, and they perform), we delve into five covers of “Cry Me a River,” Justified‘s second single that features Timbaland vocals. For context, the song was inspired by Timberlake’s breakup with Britney Spears. Key features to listen for are the piano and synth lines,  the opening monk chants, an intense beat drop, and falsetto accusations like “don’t act like you don’t know it” and “I found out from him.”

Continue reading »