Nov 012024
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

It seems only fitting that a band known as the Grateful Dead would have so many songs about death. In fact, whenever a member of the Dead universe passes, there’s no shortage of songs to pay tribute to the one newly departed.

Such was the case with the passing of Phil Lesh on October 25, 2024. In the hours and days afterwards, many bands took to the stage with heartfelt tributes to the Dead’s bass player. Perhaps most notable was the jamband Phish, who, that same night, performed a cover of “Box of Rain,” a song co-written by Lesh and Robert Hunter.

The song holds the distinction of being the last track the Grateful Dead ever performed live before the passing of Jerry Garcia. Lesh added it to the band’s July 9, 1995 setlist at Soldier’s Field because he felt the song “Black Muddy River,” another song about death, was too melancholy to end the show and the tour on.

While Lesh will first and foremost always be remembered for his time in the Dead as one of the most innovative rock n’ roll bass players of all time, it’s what he did in the 29 years after Jerry’s passing that might be his greatest legacy.

Lesh kept the spirit of the Dead’s music alive by playing and collaborating with multiple generations of musicians. He helped ensure that not only would the Dead’s music live on, but that there would be many great musicians to play the music in the band’s open-ended style.

“I continue to seek out multiple musical partners, in a quest for that elusive chemistry that comes and goes as it wishes,” Lesh wrote in his 2005 memoir. “Sometimes ‘it’ happens onstage, or sometimes in rehearsal, but it always leaves me breathless and wonder-struck.”

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May 012024
 
ray laurel somewhere over the rainbow

Judy Garland’s signature song, “Somewhere Over the Rainbow,” was introduced to the world through her performance of it in The Wizard of Oz, for which composer Harold Arlen and lyricist Yip Harburg won an Oscar. It is perhaps equally well known in the 21st century for its incorporation with “What a Wonderful World” in a very popular cover by the Hawaiian singer Israel Kamakawiwoʻole. Continue reading »

Jul 102019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Earlier this year, a young rapper named Lil Nas X found himself in an odd position. With rhymes about horses, tractors, cowboys, and Wrangler jeans, his song “Old Town Road” was blazing up the country charts. Then, suddenly, it was dropped from the list. Officials at Billboard claimed it was because the tune was not country enough. Some cried foul, some cried racism. Billy Ray Cyrus called it something else.

The country singer, who shook up Nashville himself with his 1992 hit “Achy Breaky Heart,” labelled Lil Nas X a true country outlaw. Cyrus took to Twitter, saying: “When I got thrown off the charts, Waylon Jennings said to me ‘Take this as a compliment’ means you’re doing something great! Only Outlaws are outlawed. Welcome to the club.”

With Lil Nax X’s blessing, Cyrus went into the studio to record some of the lyrics and an additional verse. Just like that, “Old Town Road (Remix)” was born. This time, they did not need the country charts. The song shot up to the top spot on Billboard’s Hot 100, where it has stayed for 13 weeks as of July 1. At age 57, Cyrus earned the first number one pop single of his career. But more importantly, the man known to many as Miley Cyrus’ dad has suddenly been blessed with cultural street cred. On June 23, the two performed the song at the BET Awards with the whole crowd singing and dancing along. It’s a type of cachet that has been eluding Cyrus since the “Achy Breaky” backlash of the early ‘90s.

I can’t help but feel somewhat vindicated by all this. You see, I have been a Billy Ray defender for decades. Yes, I know “Achy Breaky Heart” is corny and was overplayed to nth degree. But once you get beyond his many attempts to replicate his “Achy Breaky” success with equally cheesy sequels, he has many great songs that have held up well in the ensuing decades. Plus, Cyrus can really sing. His voice enables him to take on many subgenres of country, rock, pop, and now rap with equal ease.

As with any country singer, Cyrus has recorded a number of cover songs over the years, including two feminist anthems. Here’s a quick primer for those who dare to embrace Cyrus’ well-worn mullet.

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Jul 022015
 
sam

Last year we here at Cover Me said that we like our occasional long holiday weekends too. This year, it still goes. Enjoy some US of A-centric covers, and have a safe and happy Fourth of July celebration!
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Mar 122014
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

 
In 1939, MGM was trying to edit The Wizard of Oz down from its near two-hour length, and one of the prime candidates for cutting was the song “Over the Rainbow.” The powers that be felt it slowed the picture down, went over the heads of the target audience of children, and was not a song suited for “a little girl singing in a barnyard.” Three-quarters of a century later, it was being sung by Pink at the Academy Awards ceremony. In between it had become Judy Garland’s signature song and was named the greatest movie song of all time by the American Film Institute.
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Nov 182011
 

Thanksgiving is still a week away, but Christmas songs and albums have already begun swamping the shelves. You’ve got your usual holiday shlockfest from industry heavy-hitters like Justin Bieber and Michael Bublé, but there are a lot of indie acts and label comps floating around too. We’ll have several more Christmas-cover rundowns as the holiday season approaches, but today we’re just tossing together some of the early Christmas covers we’ve come across so far. Continue reading »