Bob Dylan has never exactly been a loquacious interviewee. From the ’60s, when he would spend interviews mocking the press, to the ’10s, where he rarely bothers giving interviews at all, comments from Bob on any given subject are usually relatively few and far between. But I was curious, as we prepare to launch our 100 Best Bob Dylan Covers Ever list on Monday, what Dylan covers has the man himself remarked upon?
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
I never understood why the Walkabouts were never huge. A consummate Americana noir sound, two terrific vocalists in Chris Eckman and Carla Torgerson, an arthouse European ambiance… how did it not happen? Their history and geography ought really have defined a career in grunge, and their Seattle base and the Sub Pop label often had them sometimes lumped in with that movement. But they were always, even at the start, a step apart and a dust bowl away.
In Pick Five, great artists pick five cover songs that matter to them.
Memphis rock-and-roll lifers Lucero celebrate 20 years together, and they’ve never been better. Their last album, 2015’s All a Man Should Do, was low-key the best of their career – just listen to the fiery horn blast “Can’t You Hear Them Howl” if you’re not convinced. This Friday they will return with the follow-up, Among the Ghosts. Early signs point to another classic; I mean, how can you go wrong with a song titled “Cover Me”?
“Cover Me” is an original Lucero song, but the band does record actual covers regularly. Their last album’s Big Star cover even earned a spot on our Best of 2015 list. So in honor of their covers, and their “Cover Me,” we spoke with founding member John C. Stubblefield about his five favorite cover songs. He takes on a musical and personal tour of growing up in Memphis, a punk-rock kid discovering his city’s musical heritage.
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
Astral Weeks, insofar as it can be pinned down, is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend. — Lester Bangs, 1979
I was so shocked when I was teaching a seminar at Princeton just a couple years ago, and out of 16 students, four of them said their favorite album was Astral Weeks. Now, how did it enter their lives? We’re talking about an album that was recorded well before they were born, and yet it spoke to them. They understood its language as soon as they heard it. — Greil Marcus, 2009
To paraphrase the singer of “Sweet Thing,” Astral Weeks is dynamite and we don’t know why. The album Van Morrison created in his early twenties has detonated in more psyches than thousands of better known works, but when its biggest fans try to explain its greatness, more often than not, their tongues get tied every time they try to speak.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
In the early ’70s, two sets of brothers and their friends, art students at Kent State University, developed a theory. It began as a kind of joke based on a religious pamphlet that alluded to the D-evolution of the unenlightened man. As artists tend to do, they created some performance art and music around this theme for their own amusement. Then the terrible tragedy of the Kent State shootings happened. Four of their classmates were killed by those who were supposed to be protecting them. Suddenly the de-evolution of man and of society in general seemed more than just a joke. The band Devo was born.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
The oft-covered Chuck Berry gem “Memphis, Tennessee” was never meant for stardom, taking a back seat to Berry’s “Back In The U.S.A,” which was the A to “Memphis”’s B on the 1959 single they shared. Chart success would eventually happen in England, where it was released as a double A-side with “Let It Rock” and climbed to #6 on the UK charts. With this history, it’s no surprise that a who’s-who of the British invasion has covered it – the Beatles, the Rolling Stones, the Animals, the Dave Clark Five, and The Hollies have all taken a stab, turning the trip through “Memphis” into a rite of passage.