Jun 292026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sting Covers

Last week, we ranked the 30 Best Police Covers. We debated at the time whether to group Sting solo songs into that list. Ultimately, we decided that Sting’s solo songs are just too different—more mellow, more adult-contemporary, and, most importantly, missing two essential ingredients that made The Police The Police. So, today, a bonus list rounding up ten killer covers of songs from Sting’s post-Police career. Continue reading »

Jun 032026
 

Don't Let It Die, Vol. 1There are a number of ways to tackle a covers album. The easiest is arguably to top-load it with songs and/or artists sufficient to attract the applicable demographic of fans. On Don’t Let It Die, Vol. 1, Deslondes have assuredly not done this. Indeed, this album houses a dozen deep cuts that would credit the deepest of crate diggers. None of these songs are on the tip of tongues of John Q. Listeners out there, let alone those of grizzled old completists like me. Indeed, if you know this New Orleans band and their quirky take on a country-funk jamband ethos, Don’t Let It Die could easily pass as all their own work. Which is no bad thing.

Even for those songs by artists familiar, the Deslondes have also included a bevy from their own peer group, friends and co-conspirators, collaborators and tour mates, which is an admirable show of strength to those thus featured. So, alongside your Johnny Cash, Shelby Lynne and Swamp Dogg, we get Nick Woods, Pat Reedy and The Kernel. The current members of the band–Dan Cutler, Sam Doores, Riley Downing, Howe Pearson  and John James Tourville–are all songwriters, so know their way around reviewing and renewing arrangements, which adds to the overall polish the quintet provide across this set.
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May 282026
 

Where the Willow and the Dogwood GrowThe Tom Waits fanbase is not entirely starved for news lately, but most of it is about Waits’s acting career. On the music side, the news is small change: something about singing on a new Pogues tribute, and similar tidbits.

Then came the announcement of Where the Willow and the Dogwood Grow, a star-studded tribute to the music of Tom Waits and Kathleen Brennan. OK, it’s not new original music (we’ve waited 15 years for a new Waits album) but whatever it is, we’ll take it!

The excitement gives way, on closer inspection, to disappointment: there’s nothing actually new in this new release. (“The large print giveth and the small print taketh away,” to borrow a classic Waits-as-huckster phrase.)

Each cover has been available for years–in many cases, for three or four decades. So this is material we have heard before, and written about before–see our 2023 feature The 50 Best Tom Waits Covers Ever. The most recent of the tracks on hand is “Hold On” by Madison Cunningham, but even that one dates back six years. It’s a killer version, by the way, a clear highlight of this compilation.

Still, having these covers compiled in one place serves a purpose, if only to help reassess the song catalog. And realistically, the number of Waits devotees who have actually listened to all these songs is miniscule; they could fit in a single booth at an all-night diner. If a song is new to you, then it’s new music, regardless of its original release date.

The very title of the album suggests a new framing, a fresh lens: the notion that Waits’s song-writing changed when he partnered with Brennan, and their extensive and lengthy collaboration deserves its own celebration.
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May 252026
 

RayosThe surf-rock cover is not quite as popular as the pop-punk cover or the slow piano cover, but it still a tradition with a long, rich lineage. And that tradition brings certain expectations. Toronto surf trio UV and the Rays both honor and subvert that tradition on their latest EP, Rayos, their second.

On their first record, UV and the Rays mostly stuck to a single time period, taking almost all of the material from the 1970s, with one track from the ’60s and one mash-up. This time, they’ve gone a little further afield, tackling everything from Johnny Cash to ’90s Cher, though they still include two (diverse) songs from the ’70s. And, much like the first record, they conclude things with an unexpected mashup.
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Dec 092025
 
Pulp Covers Johnny Cash

There is a new British TV series called The Hack about the hacking scandal that led to the downfall of the tabloid The News of the World and for music fans, the opening credits feature Pulp with a new cover. The show’s credit sequence is scored by Pulp’s newly recorded cover of Johnny Cash‘s “The Man Comes Around.” Continue reading »