They Say It’s Your Birthday celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!
Hi, I’m Patrick Robbins, the features editor here at Cover Me, and today’s my birthday. Please forgive the self-indulgence of a one-year-older guy for putting up a post that’s about me.
2021 is kind of a big year for me. Not only am I having one of those milestone birthdays – you know, one of those ones that ends in a zero – I’m also having a milestone anniversary. This year marks ten years since I joined the Cover Me staff. In all that time, I’ve gotten off a few good lines here and there (my favorite: a song had “more hooks than Moulty’s closet”), but far more importantly, I’ve found some great covers that I never would have discovered if I hadn’t been looking for them to share and talk about here.
So, as a little birthday present from me to you, I thought I’d pick out some of my favorite discoveries I’ve made over the years. What follows are some of my all-time favorite covers that I found specifically for Cover Me posts (as opposed to covers I already knew about), and links to the pieces in which I originally wrote about them. There’s a lot of songs here, but they’re only about one percent of the songs I’ve written about. So think of these as the cream of my cover crop.
Thanks to all of you for reading Cover Me – without you, this post wouldn’t exist – and here’s to many more birthdays and anniversaries to come.
Typically, the world of cover songs does not change that much year-to-year. You can point to big shifts across decades, sure, but the difference between cover songs in 2018 and 2019, broadly speaking? Negligible. But 2020 was – in this as in everything else – very different.
As concerts ground to a sudden halt, musicians turned to live-from-quarantine home performances, first on their social media, then, once some kind of business model got built up, on various paid platforms. And cover songs were a big part of that. Some musicians did themed covers nights, like Ben Gibbard on YouTube early on or Lucinda Williams’ more produced Lu’s Jukebox series more recently. Others just felt the freedom in such an intimate environment to try things out, spontaneously covering influences, inspirations, or even songs they only half knew. We collected dozens of those early home covers in our Quarantine Covers series, and still only hit a small fraction.
Musicians eventually settled in, and productions got a little more elaborate than the staring-at-your-iPhone-camera look. Witness the heavy metal comedy series Two Minutes to Late Night, which transitioned from a long-running live show in New York City to a series of YouTube covers with dozens of metal-scene ringers covering songs from their couches, corpse paint and all. Witness Miley Cyrus’s endless series of killer cover locales, from a fire pit to an empty Whisky a Go Go. Or witness long-running radio covers series like BBC’s Live Lounge or Triple J’s Like a Version – often the source of a song or two on these lists. First they had musicians tape special covers from home, then, in the BBC’s case, they moved to a giant warehouse studio for suitable social distancing. (Triple J’s pretty much back to post-coronavirus business as usual – sure, Australia, rub it in.)
There’s one other major way covers reflected 2020, and it’s almost too painful to think about, so I’ll just list their names. John Prine. Adam Schlesinger. Hal Willner. Charley Pride. So many musicians taken by this virus, many reflected in some of these covers (Pride’s death happened after our list was finalized, but tributes are already rolling in). In a year filled with tragedies, covers offered one place for musicians and fans to find solace.
Many of the songs on our year-end list reflect this terrible year in one way or another. But you know what? Many don’t. Because covers can also offer a fun respite from all the stress. Doom metal Doobie Brothers? Post Malone on mandolin? A viral TikTok hit by a guy who calls himself Ritt Momney? Those have nothing to do with anything! But they’re what we live for.
Amigo the Devil – Before He Cheats (Carrie Underwood cover)
When we last heard Amigo the Devil, he was stripping down a Tom Jones song to create a haunting murder ballad. Now he does the same to another highly polished pop song – but a much more recent one. “[The original is] this very confidence-boosting, really good-feeling, power-infusing song,” Amigo’s Danny Kiranos told Rolling Stone. “I was curious what it would sound like if you took away the positive nature of it and kept the lyrics, essentially the emotions they are portraying.”Continue reading »
Given the slow, unsteady cadence of the Gillian Welch/David Rawlings release schedule, their many followers take delight in news from either one of the pair. (They always come as a pair, though they are not always billed that way.) Even if a new offering is not new, original material—even if the songs are covers, and older ones at that—it’s newsworthy.
So here’s what’s new: All the Good Times, a collection of 10 covers, some of their “favorites,” recorded during the pandemic lockdown. It’s their first such collection, and the first album in their 25-year career to be credited as “Gillian Welch and David Rawlings.” The partners share the billing because, for the first time, they split the vocal duties right down the middle.
And here’s what’s old: Everything else about the release. (That’s not a diss.) Welch/Rawlings apply the same tried-and-true formula they’ve honed for a quarter century now: all-acoustic, duet-style, singing into a single mic. Even the recording method is antiquated: they dusted off a reel-to-reel to capture these songs; no DAT or hard drives for these two. (On one track, the tape reel runs out well before the last verse is over. It’s one of the more charming technical glitches in recent memory, a bug shrugged off as a feature. For a few seconds there I thought my laptop died.) Continue reading »