Dec 192025
 

Follow all our Best of 2025 coverage (along with previous year-end lists) here.

Last year’s unexpected theme was Tom Petty covers. For no obvious reason, he popped up again and again on our 2024 year-end list. And whaddya know, Tom’s back this year, with two more Petty covers on our list. This year, however, he is not the most-covered artist on our list.

That’s a tie between two artists, one extremely of-the-moment, one timeless. With three covers apiece, Chappell Roan and Neil Young share the most-best-covered crown. (Artists with two covers apiece this year, in addition to Petty, are Gillian Welch, John Prine, and—this one’s surprising—Nelly Furtado!)

Spoiler alert: None of those appears in the number-one position. Number one covers an artist who I don’t think has ever appeared on one of our year-end lists. But don’t skip ahead. There are 49 equally (well, almost) as good covers to get through first, spanning genres and sounds and eras and ages. Here we go.

Cover art by Hope Silverman

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Dec 092025
 

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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May 282025
 
john prine the belonging

Legendary Chicago singer-songwriter John Prine died over five years ago, in April 2020. Prine was primarily known as a songwriter, one whose music was often known more by cover versions from more famous singers. You can read our list of the best of those John Prine covers here. But he was also a prolific performer of covers himself. Throughout his career he covered at least 100 different songs, mostly country, blues and folk, naturally, but occasionally straying into other genres. In tribute to Prine, Old Boy Records in Nashville has released The Belonging EP Vol. 1, a new EP which collects some of Prine’s best studio covers for charity. Continue reading »

Apr 182025
 

You can’t get a more direct than Covers, Kathleen Edwards’ newest short LP/long EP. It lets you know exactly what you got, even before you press play. That is commendable, but then Edwards has never been much for one to conceal her thoughts or her situation. This Canadian singer supreme has had a rocky old trail over the past decade or two, since electing to step away from critical acclaim in 2014, after four well-received albums of polished country and roots-derived songmanship.

The Ottawa coffee shop Edwards subsequently opened and ran was called “Quitters.” That might have been a self-deprecating jibe in name, but it was only later she revealed her then battle with depression had led to her tactical withdrawal from the music business. She returned to music in 2020, we all know what then came along to wreak worldwide havoc. This is her second release since her return, and her first since COVID lockdown and her eventual sale of Quitters.

The eight songs on Covers are a good mix of the likely and the unexpected, broadly drawn from Edwards’ fellow ranks of singer-songwriters. Springsteen, Petty and Pride are among the former, but songs from The Flaming Lips and Supertramp get a turn also. With backing of electric guitars, keyboards, occasional strings and a rhythm section, Edwards sings and plays acoustic. Greg Leisz and Scott Thurston are two of the accompaniments dropping by, on guitars and bass, respectively, each a sign of her esteem amongst peers.
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Jun 252024
 

Sometimes it is the lower key and lesser heard that most catches the ear, and Adam Holmes a prime example. If you follow the contemporary Scottish folk (and beyond) scene, you may well know Holmes already, for having one of the more soulful instruments in the country, a warm burr with a distant flavor of John Martyn. Starting off as a member of neo-trad outfit Rura, Holmes’ singing and songs were a tidy contrast to their instrumental elemental fare of fiddle, flute and pipes. With time, the mix became perhaps too schizophrenic, he needing a platform to stay on stage the whole set. This he found, forming a band, the Embers, lasting for a well-received year or three.

Since then he has been on his own, give or take a duo, with Heidi Talbot, and a brief membership of Anglo-Scots folk-rock supergroup, The Magpie Arc. A veritable one man industry, he releases his own albums and sorts out his own gigs and shows, no middlemen to sour the pitch. As such, the gap between he and his audience is thin; if you fancy him writing a song for you, or for him to play in your own home, he will; contact him, via his website.

Songs for My Father, the second of two recent releases, each dedicated to cover versions, is in his father’s memory, the songs of his childhood and his father’s record collection. (The earlier one, last year’s The Voice of Scotland, covered more the traditional songs he grew up with, together with a couple that have near earnt that same soubriquet: we included “You Are My Sunshine” from that set recently.) Holmes’ father, dying of throat cancer, made a last request his son record his favorite songs; it was a task that took Holmes ten years to work up the initiative to address.
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May 312024
 
Bat for Lashes
Bambie Thug – Zombie (The Cranberries cover)

This month, Bambie Thug represented Ireland in Eurovision, coming in sixth (the country’s highest placement since 2000). Shortly before the finals, they released this cover of The Cranberries’ “Zombie”amidst criticism of their outspokenness about the devastation in Gaza. The top YouTube comment puts it well: “The significance of Bambie choosing to cover this song will not be lost on anyone in Ireland or the UK, or many places outside them. It’s just about the most impactful call for peace an Irish person can give, and they’ve done it as well as anyone ever has.” Continue reading »