Aug 032026
 
Alexis Taylor & Mike Simonetti — I See a Darkness (Bonnie “Prince” Billy cover)

Alexis Taylor of Hot Chip released an amazing electropop cover of “Wild Horses” earlier this year, and now he’s back with a similar take on Bonnie “Prince” Billy’s most-covered song. He writes, of the mesmerizing music video, “I saw the room that we see in the film — the scene, the two men facing each other and getting closer in their armchairs as the intensity of what they sing to each other increases. I saw the lady at the centre and back of the same space, illuminated by lamp light for the choruses, and the red balloon hovering over the 4 people in the scene. I wanted this to be like a televised Samuel Beckett play, and to be surreal, simple, and emotionally direct.”

Bandit Voyage — Hotel California (The Eagles cover)


It’s hard to do a fresh version of “Hotel California,” but Swiss duo Bandit Voyage pull it off on their new EP. They ditch many of the theatrics, stripping it down to sound more like a DIY indie-rock song. It’s The Eagles if they played a basement show. Eventually a hyper-distorted guitar does come in to play the closing solo, but even that feels done with a bit of a wink. Continue reading »

Jun 092026
 
Margo Price Jesse Welles

Jesse Welles has a new record out June 12th, and he performed a free pop-up concert in Washington Square Park in New York last week as part of the promotion.

As if a free, surprise concert wasn’t enough for fans, Margo Price joined Welles for a cover of a John Prine classic. With Welles playing guitar and harmonica and Price providing percussion on tambourine, the two performed Prine’s “Angel From Montgomery.” With the crowd singing along, the performance is moving. (Even if Price accidentally started singing the wrong verse at one point.) Continue reading »

Jun 012026
 
Best Cover Songs May
Banda AL9 — I Wanna Be Your Boyfriend (Ramones cover)

Chris Stapleton — Living in the Promiseland (Willie Nelson cover)

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May 142026
 
Jason Isbell Gillian Welch David Rawlings

Jason Isbell has a history of singing with Gillian Welch and David Rawlings. They’ve combined their voices before for some truly wonderful moments of live music.

Isbell is currently touring the US with his band, the 400 Unit, and is being supported on some dates by Welch and Rawlings. Saturday night at Red Rocks in Colorado, the two came out during Isbell’s encore to join him in a cover of a John Prine classic. The three joined together to sing Prine’s “Paradise.” Continue reading »

Dec 192025
 

Follow all our Best of 2025 coverage (along with previous year-end lists) here.

Last year’s unexpected theme was Tom Petty covers. For no obvious reason, he popped up again and again on our 2024 year-end list. And whaddya know, Tom’s back this year, with two more Petty covers on our list. This year, however, he is not the most-covered artist on our list.

That’s a tie between two artists, one extremely of-the-moment, one timeless. With three covers apiece, Chappell Roan and Neil Young share the most-best-covered crown. (Artists with two covers apiece this year, in addition to Petty, are Gillian Welch, John Prine, and—this one’s surprising—Nelly Furtado!)

Spoiler alert: None of those appears in the number-one position. Number one covers an artist who I don’t think has ever appeared on one of our year-end lists. But don’t skip ahead. There are 49 equally (well, almost) as good covers to get through first, spanning genres and sounds and eras and ages. Here we go.

Cover art by Hope Silverman

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Dec 092025
 

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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