It’s a great song, so why not play it twice? That’s what happened when John Mellencamp and Bob Dylan both appeared at the Outlaw Music Festival. The song was “All Along the Watchtower” and the date was September 12th in Cuyahoga Falls, Ohio.
Mellencamp played before Dylan and played it as the song third in his set. And when Dylan took the stage immediately after Mellencamp, he opened with his 1967 song. This was Dylan’s first performance of “Watchtower” since November 2018. Clearly there was no animosity between either performer since both played the song again on September 14th, 15th and 17th.
Mellencamp also performed “Watchtower” on his 2000 Good Samaritan Tour, where he performed for free on street corners and public parks. His version also appeared on a live album documenting the tour.
With the Outlaw Music Festival wrapped up, Mellencamp has no future dates scheduled, while Dylan kicks off the next leg of his Rough and Rowdy Ways tour on October 4th in the Czech Republic.
This month, Bambie Thug represented Ireland in Eurovision, coming in sixth (the country’s highest placement since 2000). Shortly before the finals, they released this cover of The Cranberries’ “Zombie”amidst criticism of their outspokenness about the devastation in Gaza. The top YouTube comment puts it well: “The significance of Bambie choosing to cover this song will not be lost on anyone in Ireland or the UK, or many places outside them. It’s just about the most impactful call for peace an Irish person can give, and they’ve done it as well as anyone ever has.”Continue reading »
Lucinda Williams has never had a big hit song. None of her singles have charted on the Top 40, or even on Billboard’s Hot 100 chart at all. In fact, most of her songs don’t hit any chart.
You may already be thinking to yourself: Who cares! Giant pop-chart hits are not the way you measure the success of a singer and songwriter like Lucinda Williams. You know what is one possible way, though? Covers. (A few of which, incidentally, made her song hits in other hands.)
Like a few other songwriter’s-songwriter types we’ve covered in this series (John Prine, Steve Earle), the respect Lucinda gets from her peers and fans far outweighs her own commercial success. It’s probably the sort of acclaim she’d value more. Williams’ songs have been covered by her elders alongside a wide array of younger folk and indie artists. Earle, in fact, has called the album he co-produced, Car Wheels on a Gravel Road, “one of the best things I’ve ever been involved in.”
None other than Bob Dylan himself, when he played her take on “Change the Locks” (covered twice on our list) on his Theme Time Radio Hour, compared her to Bessie Smith, calling her “another strong-hearted spirited woman.” He added cheekily, “Time Magazine called her America’s best songwriter in 2002. I guess I was out of town.”
Below, we’ve rounded up 25 equally strong-hearted, spirited covers. Lucinda, who turns 70 today, is no slouch at covers herself – don’t miss her recent Lu’s Jukebox series. But for her birthday, we honor her songwriting and let other artists do the heavy lifting.
25. John Mellencamp – Lafayette
Lucinda Williams’ first album was a collection of covers, but her second, Happy Woman Blues, consisted of all originals, kicked off by “Lafayette” – the first of her songs about her native Louisiana, but certainly not the last. It’s about how the singer misses Lafayette and how it took leaving to appreciate it, so she’s coming back. Because Lafayette is the center of Cajun culture, the song is fittingly a country/zydeco mix, and focuses on the eating, drinking, dancing and other wild times that she looks forward to repeating. John Mellencamp’s 2003 album Trouble No More was a collection of (mostly) blues and folk covers, and his spare take on “Lafayette” is more country-blues than Cajun. His gruff lead vocals are sometimes overshadowed by the twangy female background singer, but it’s a worthy effort. – Jordan Becker
24. Jimbo Mathus – Lake Charles
Picking a single track off Solo Blues Guitar: Jimbo Mathus Performs Lucinda Williams Car Wheels on a Gravel Road kind of defeats the purpose. As you can probably guess from that album title, it’s Mathus, of Squirrel Nut Zippers fame, performing Lucinda’s most iconic album in full (on, as the tin says, solo blues guitar). It’s a beautiful listen that you can hone in on or just let add atmosphere in the background. But, since we have to highlight one, “Lake Charles” will give you a good taste of his combination of finger picking and slide on that beautiful resonator guitar. – Ray Padgett
23. Dennis Mac Namara – I Envy the Wind
If there were a church devoted solely to unrequited love, where all those in the throes gathered to commiserate, “I Envy The Wind” would be the lead hymn in the songbook. Why this song has been covered so sparingly over the years remains a mystery. Hyperbolic hot take coming, but if ever a song was powerful and poised enough to knock “Hallelujah” off its ubiquitous and over-covered pedestal, “I Envy The Wind” is it. Dennis Mac Namera’s skeletal acoustic cover is home to a stunner of vocal performance, equal parts booming and fragile. The heartache and longing are oh so palpable, as is Mac Namera’s unabashed admiration for the song itself. Let us pray. – Hope Silverman
22. Peter Gallagher – Still I Long For Your Kiss
Lest anyone forget, Williams is every bit as much a singer and interpreter of the blues as she is of the broader country/Americana slant she is usually associated with. Check out her aforementioned first album, 1979’s Ramblin’ On My Mind, a set of largely nothing but the blues, Sleepy John Estes, Robert Johnson and the like, with a token Hank Williams for good measure. Sure, her own version of “Still I Long For Your Kiss” carries a bluesy hint, but it took this fella to strip it right back, delectably so. This fella? Peter Gallagher. You’ll know him as an actor in loads of films and TV. But, as this clip shows, he can sing, really sing. This comes from a record he made in 2005, Seven Days In Memphis, of Southern soul belters backed by a crew of the best session men that producer Steve Cropper could find. The other singer here is his TV wife from The O.C., Kelly Rowan. – Seuras Og
21. Angel Olsen – Greenville
Angel Olsen dropped two terrific covers last June. Her version of Dylan’s “One Too Many Mornings,” recorded for the TV show Shining Girls, features haunting electronic textures underpinning her voice. It’s a surprisingly un-folky cover of one of Bob’s early folk songs. Alas, it came a year too late for our Best Bob Dylan Covers list. Her version of of Lucinda Williams’ Car Wheels on a Gravel Road standout “Greenville” though is just as good, guitar echoing behind her mesmerizing double-tracked vocals. – Ray Padgett
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
I wanted to put this in the Under the Radar category. Then it hit me: whose radar could John Mellencamp possibly be under? It’s true, but, equally, his spotlight has always veered from mass appeal towards the niche, albeit to different niche audiences at different times, encompassing different genres and different tastes. How much traction, for instance, is there between the effervescent Johnny Cougar in his sequined satins, and the grizzled dustbowl road warrior of only a few years later, let alone the renaissance man of musician, artist and actor he is seen as now? Today’s answer: Precious little, yet more than you may think. Continue reading »
Back when John Mellencamp went by John Cougar, he scored his first hit with 1979’s epic “I Need A Lover.” For the AV Club’s Undercover series, Hamilton Leithauser (formally of The Walkmen), took on the saga with his touring band and absolutely killed it.Continue reading »
Song of the Day posts one cool cover every morning. Catch up on past installments here.
Two facts influenced today’s pick: One, last Saturday was Farm Aid 25 and two, today John Mellencamp turns 59. So what better way to celebrate both occasions than with a cover Mellencamp performed at a previous Farm Aid? As a member of the Farm Aid Board of Directors, the man has sung alongside Willie Nelson and Neil Young at almost all of them. That’s a lot of “Rain on the Scarecrow”s.
This particular video comes from Farm Aid 2003. Mellencamp had just released Trouble No More, his terrific blues covers album, and played a couple cuts from it. With some hot resonator slide from guitarist Andy York, Robert Johnson’s blues standard “Stones in My Passway” rolls along like good electric blues should. Happy birthday, John!Continue reading »