Jun 262020
 

John HartfordOn the Road: A Tribute to John HartfordSongwriter, banjo-picker, old-time fiddler, dancer, tv star, radio dj, and, perhaps most importantly, professional riverboat pilot. Welcome to the weird, wide world of John Hartford.

Hartford was a cross between Bill Monroe and Mark Twain—he titled one of his albums Mark Twang. He was among the first to join hippie sensibilities with hillbilly ways. During the late ’60s and early ’70s, Hartford was both a vivid reminder of America’s past musical heritage, and also a harbinger of things to come; he shaped contemporary music almost in spite of himself. “Newgrass,” which in turn fed into the jam band phenomena, is basically Hartford’s concoction (though mandolinist Sam Bush gets some credit too). Even Americana, as it is currently defined, is impossible to imagine without him—the blockbuster O Brother, Where Art Thou project has Hartford’s fingerprints and spirit all over it.

So a new John Hartford Tribute album is most welcomed, and now we have one in hand: On the Road, from LoHi Records. It’s a dang good tribute album, too, starting with the opening cut (by Hartford’s co-conspirator Sam Bush), and never letting up.
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May 262020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

No Expectations covers

Like many selections in the Five Good Covers series, this song could easily support Ten or Fifteen Good Covers. “No Expectations” appeared on the Rolling Stones’ Beggars Banquet album from 1968, so it’s been around a good long time. And it appears to be aging quite well—not all songs do—so we have every expectation that up-and-coming artists will keep it alive in years to come. Continue reading »

Mar 222017
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

bringing it all back home covers

Bob Dylan’s 1965 Newport Folk Festival concerts is one of the most famous – or infamous – performances of all time, subject to numerous books, documentaries, and debates over why Pete Seeger threatened to cut the power cable with an axe. But the fact is, by the time he stepped on that stage, Dylan had already gone electric, four months prior. The first half of his 1965 album Bringing It All Back Home – which turns 52 today – is all electric. And not the sort of light electric augmentation other folk singers were experimenting with either. The first track “Subterranean Homesick Blues” may still be the loudest, hardest track of Dylan’s entire career. He’d already drawn his line in the sand; the folk-music crowd had just chosen to ignore it.

To celebrate this landmark album’s 52nd birthday, we’re giving it the full-album treatment. Our recent tributes to Dylan albums have covered underrated works like 1978’s Street Legal and 1985’s Empire Burlesque, but today we return to the classics. Such classics, in fact, that in addition to our main cover picks we list some honorable-mention bonus covers for each song. Continue reading »

Sep 202016
 
ChicagoFarmer

Other than his hit for Glen Campbell “Gentle On My Mind,” John Hartford songs don’t get covered as often as they should. The pioneering fiddle and banjo player sometimes gets pigeonholed as just a bluegrass guy (and none were better), but he could do so much more, from rockabilly covers to weird experimental stuff (where’s the hip indie cover of his heavy-breathing-and-fart-sounds “Boogie”?). The best recent cover of a Hartford tune has been Jones Street Station’s “In Tall Buildings,” but Chicago Farmer’s new version of “I’m Still Here” gives that one a run for its money. Continue reading »

Apr 252011
 

Few past and current artists go as well together as John Hartford and Kristian Matsson, aka The Tallest Man on Earth. Both have a classic American folk sound that ties together the stories told in the lyrics perfectly. It makes sense, then, that Matsson would decide to incorporate a cover of Hartford’s classic song “Gentle on my Mind” into his live repertoire. Continue reading »