Oct 272023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Velvet Underground and Nico

On October 27, 2013, ten years ago today, Lou Reed died. I happened to be in New York City at the time, and his passing was a lead story on the 11 o’clock news. It was as though a part of the city itself had died. Which, inescapably, it had. Reed embodied NYC, from its seedy back rooms to its secret heart, in a way few other people, let alone musicians, ever did.

While Reed’s solo career is highly and deservingly accoladed, it still got overshadowed by the Velvet Underground. Reed’s first band featured Welsh musician John Cale, guitarist Sterling Morrison, and drummer Maureen Tucker, with Nico singing on the first album and Doug Yule replacing Cale in 1968. The band’s four studio albums started ripples that turned into tsunamis; they went from secret-handshake status to Hall of Fame giants, their influence right up there with the Beatles.

We’re honoring Lou and Company with this collection of covers. Some covers couldn’t hold a candle to the original (you’ll find no “Heroin” here), but many of the originals were receptive to another artist’s distinctive stamp. Whether you prefer the first or what followed, you’ll hear the sound of immortality as it opens yet another path of discovery.

–Patrick Robbins, Features Editor

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Aug 012022
 
best cover songs of july 2022
Brett Eldredge – Cold Heart (Elton John, Dua Lipa cover)

Against all odds for a rocker of his generation, Elton John had a genuine hit with a single he released just last year, at age 74: “Cold Heart.” It topped the chart in the UK – his first song to do so in 16 years. It did nearly as well in the States, reaching number 7 and topping a number of secondary charts. Having current pop hitmaker Dua Lipa on board no doubt helped, as did releasing it as a remix by Pnau (“Hot Dance/Electronic Songs” was one of those secondary U.S. charts). It also fairly shameless incorporates bits of earlier hit singles “Rocket Man” and “Sacrifice” as well as deeper Elton cuts “Kiss the Bride” and “Where’s the Shoorah?” In country star Brett Eldridge’s live cover, though, it all blends together seamlessly. Continue reading »

Sep 282021
 

i'll be your mirror tributeI love the old chestnut that everybody who ever saw the Velvet Underground started a band. Certainly, were that the case, their shows must have been jampacked with underage punters, with children, even, since most of those in bands and who most keenly rate them and cite their influence would have been far too young. Many would have been in the wrong country, likewise. But, hey, it’s a great tale and, who knows, had they all actually been there, the band may have been a lot bigger and more successful in their lifetime.

For, undoubtedly, their imprint on rock music has been hugely out of proportion to their actual footprint. I forget, maybe it was all those who bought their first album started a band, but again, the numbers don’t really stack up until you collate the cumulative sales, decade on decade after the initial release. (Ed: It was, in fact, no less than Brian Eno who made this assertion, in 1982.) Hampered by a brace of lawsuits, relating to the copyright of some of the cover photos, the album limped out in 1967, taking some time to ratchet up many sales at all, trashed by critics and ignored by the record label publicity machine. Lyrics about sado-masochism, IV drugs and prostitution were seen as anathema to the mores of the day, and the linkage to Andy Warhol, then enfant terrible of the American art-house film movement, will have hardly have warmed them to any mainstream audience. But maybe that was the point. Be that as it may, in the half century plus since, the star of this still sometimes difficult record has shone ever more brightly. That first album was, to give it its full title, The Velvet Underground and Nico, with the iconic banana logo, and it is this record that is here recreated and revisioned, revalidated and recalibrated. Continue reading »

Mar 052021
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Siouxsie Through the Looking Glass

By 1987 the angular sounds of Siouxsie and the Banshees had mellowed enough for them to be regulars in the British charts and on the accompanying TV shows. The striking appearance of icy she-wolf Siouxsie had always contributed much to their success, her atonal approach to melody both idiosyncratic and chillingly effective, the only remnant from their first appearances, wherein the grasp of rudimentary technique was echoed by the lack of any instrumental prowess. Which only goes to prove the worth of their perseverance with the punk ethos: in any other time the band wouldn’t have stood a chance.

Fresh from touring Tinderbox, an album that had cemented their reputation, the band spent the downtime back in the studio, producing the covers album they had always wanted to do. No stopgap contractual filler, this; Through the Looking Glass was squeezed in ahead of any expectation. Of course, the band had already shown their cover capabilities, with the delightfully uber-psychedelic version of the Beatles’ “Dear Prudence,” a brave move in a time when admitting a Beatles affinity (in public, at least) might be considered poor form.

The initial choice of songs came largely from the early ’70s, a time when the old order was beginning to look pregnable, with new styles beginning to emerge, biting at the ankles of the towering giants of an increasingly bloated music industry. Bands such as Kraftwerk were showing how much (and how little) could be done with cheap electronic keyboards; Roxy Music were blurring and blending styles and genres into a sci-fi retrodelia; Television were proving outriders for the earlier and more cerebral NY take on punk. Add in the bizarre world of Sparks, quirky oddballs in their homeland, who were beginning to find acceptance in the UK. Then mix well with some of the more favored sons of the sixties: the Doors, Iggy from the Stooges, and the Velvet Underground’s John Cale. Here were where Siouxsie and company went panning for gold. With a song from The Jungle Book thrown in for good measure. And perhaps the oddest version yet of Billie Holiday’s “Strange Fruit” for dessert.
Continue reading »

Nov 022020
 
best cover songs october 2020
Andrew Bird – Andalucia (John Cale cover)

Props to any musician who chooses some non-obvious tunes for their Christmas album. Even Joni Mitchell’s “River” has so often been served as the “surprise” holiday song by now that it feels pretty played out. Andrew Bird covers a few standards on his upcoming Hark! – “Oh Holy Night,” “White Christmas” (though weirdly not the hymn that gave the album its name) – but makes room for some seasonally-appropriate fare John Prine, Handsome Family, and, on the first single, John Cale. Continue reading »

Oct 052020
 
best tribute albums

Over our time tracking cover songs (13 years this month!), we’ve written about hundreds of new tribute albums, across reviews, news stories, and, when they’re good enough, our best-of-the-year lists. We also have looked back on plenty of great tribute albums from the past in our Cover Classics series. But we’ve never pulled it all together – until now. Continue reading »