Apr 092025
 

John Cage‘s “4’33″” is one of the most infamous pieces of “music” of the 20th century. There are air-quotes around “music” because “4’33″” is only music in the broadest definition; Wikipedia even has a footnote defending their use of “composition” to describe it. The piece is infamous for what it requires of the performer: namely, not much of anything. The piece is ostensibly for piano though, in theory, any instrument could be used. The pianist walks out onto a stage, sits at the bench and then proceeds to close and open and close and open the lid of the keyboard at specific times, marking out the “movements.” The key part is that the performer never once plays a single note for the entirety of the four minutes and thirty-three seconds they sit at the piano. Continue reading »

Jun 172011
 

As you probably saw, last week Google changed their logo in honor of Les Paul’s birthday. The playable guitar, still available here, offered ten strings and a whole array of cover possibilities. We tweeted out some of our favorite covers that day – special shoutout to the person who did John Cage’s 4’33” – but some performances needed a little longer to develop. Here is one. Continue reading »

Dec 092010
 

Next Sunday, the Simon Cowell-helmed UK television singing competition The X Factor (based largely on American Idol, itself a spinoff of his British series Pop Idol, on which Cowell also judged) will crown the winner of its seventh go-around. As tradition has held since the show’s second season, the victor’s debut single will drop the following day so as to compete to be the “Christmas number one,” (the top spot on the UK singles chart for the sales-heavy week prior to the holiday), a feat accomplished by four of the last five champs, much to the chagrin of the show’s detractors. Last year, however, a grassroots Facebook campaign known as Rage Against the X Factor lobbied over 500,000 supporters to pay to download “Killing in the Name,” the explicit 1992 debut single by Rage Against the Machine, and the title held off the debut of X Factor winner Joe McElderry (a cover of Miley Cyrus‘ “The Climb”) to become the first download-only Christmas number one in chart history. Continue reading »