Apr 252022
 
joe gore

Guitarist Joe Gore has played on a decade’s worth of late-era Tom Waits albums, from 1992’s Bone Machine through 2002’s Alice and Blood Money. He’s also recorded or toured with the likes of PJ Harvey, Tracy Chapman, Marianne Faithfull, Eels, Courtney Love, John Cale, Carrie Underwood, and Les Claypool. It’s kept him so busy that, despite one of those AllMusic discographies where you just keep scrolling and scrolling, he hasn’t released anything under his own name until now.

His debut album Falling Through Time: Music from the 1300s looks back – way back – to music from the 14th century. But it’s not just for Middle Ages music buffs. Gore performs this music note-for-note, but using modern instruments and production. It’s a fascinating combination of reverence in some respects, and pushing the boundaries of how this music can sound (synths! guitar effects pedals!) in others. Continue reading »

Apr 202012
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The songs would just come from him, as if he was a vehicle from God that the songs flowed through… The man was driven to write songs. The music came out of a very deep place. And oftentimes, out of that deepness, John felt very alone. If you listen to his songs, there’s a lot of loneliness there. — Annie Denver

By the time of his death in a 1997 plane crash, John Denver’s image no longer fit the man. He had written more than 200 songs and had multiple gold albums; his concerts appealed to young and old alike; he used his fame to bring attention to environmental causes, championed the space program, and testified in Congress against the PMRC. But to the general public, he had become something to mock, a naive, uncool lightweight who said “far out” way too much and did his best work with Muppets. It’s telling that when USA for Africa was preparing to record “We Are the World,” they turned down Denver – who had founded the World Hunger Project back in 1977 – because they felt his presence would damage the song’s credibility. Denver, and his music, had not been getting the respect they deserved for far too long. Continue reading »