May 312024
 
Bat for Lashes
Bambie Thug – Zombie (The Cranberries cover)

This month, Bambie Thug represented Ireland in Eurovision, coming in sixth (the country’s highest placement since 2000). Shortly before the finals, they released this cover of The Cranberries’ “Zombie”amidst criticism of their outspokenness about the devastation in Gaza. The top YouTube comment puts it well: “The significance of Bambie choosing to cover this song will not be lost on anyone in Ireland or the UK, or many places outside them. It’s just about the most impactful call for peace an Irish person can give, and they’ve done it as well as anyone ever has.” Continue reading »

Aug 022022
 
Rachel Sumner Joanna Newsom Colleen

Harpist/singer-songwriter Joanna Newsom’s debut record, The Milk-Eyed Mender, has inspired a number of memorable covers. But look ahead through the rest of of Newsom’s work—post-2006, frankly—and notable versions become far harder to come by. Newsom’s move from Milk-Eyed to her sophomore record, Ys, and beyond involved a series of especially massive creative leaps: modest folk songs to epic orchestral suites, and, later, to triple LPs. Newsom’s work has only gotten richer and more fascinating, the lyrics denser and the arrangements knottier — but, at least based on past precedent, she’s also seemingly grown more… uncover-able.

It’s refreshing and impressive, then, to come across a cover of not only a post-Milk-Eyed Mender tune, but a Newsom acolyte who has made their own creative in-roads to her later work. This would be singer-songwriter Rachel Sumner, who, alongside her band Traveling Light, has shared an artful new cover of Joanna Newsom’s “Colleen.” Continue reading »

Feb 012012
 

Coming off her well received 2011 album Follow Me Down, Sarah Jarosz is squeezing in a mini-tour before returning  to Boston to complete the 2nd half of her junior year at New England Conservatory. During her stop at McGonigel’s Mucky Duck in Houston, TX, the new face of Americana picked and strummed a handful of fantastic covers throughout her set. Continue reading »

Dec 052011
 

UK-based electronic musician Graeme Coop aka Birkwin Jersey has a knack for building soundscapes from snippets and samples from YouTube clips. Recently he was featured on NPR’s World Cafe Next promoting his first release on his DIY collective label Absent Records with two friends in the United States. Continue reading »

May 132011
 

This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.

Today’s set features covers of a couple hairy-dude bands, a couple beautiful blonde singers, and Bloc Party, who are in some other category (pretty-scruffy/hipster-alternative maybe). Download ‘em all below. Continue reading »

Apr 192011
 

Live Collection brings together every live cover we can find from an artist. And we find a lot.

Over the past decade, Portland quintet the Decemberists have gone from indie darlings to indie darlings with a number-one album. This year’s The King is Dead took the band to new levels of commercial success, shining some national attention on a band whose name was once known only to the chamber pop-obsessed and English majors. It may not be too unfounded to compare this band’s story to that of R.E.M.’s in the ‘80s; in fact, given the unabashed fandom they display on The King is Dead, that’s a comparison they’d probably happily invite.

The collection of covers crooned by the Decemberists mostly betrays their too-cool-for-school nature. They seem to have hit all the requisites that prove you listened to hip music in the ’80s – the Velvet Underground, the Smiths, Echo & the Bunnymen, etc. However, there’s a few genuine surprises here. Embarrassing reading of the Outfield‘s “Your Love” notwithstanding, there’s some real pleasure to be had in the band’s delight at ripping into Heart‘s “Crazy on You,” or in their surprisingly earnest rendition of Bad Company‘s “Feel Like Making Love.” Band leader Colin Meloy also turns in an intimate, slowed-down version of Cheap Trick‘s “Summer Girls” to great effect. Even the band’s usual bombast makes itself known in the 16-minute epic of Pink Floyd‘s “Echoes.” Continue reading »