Apr 012024
Mar 132024
As a part of the annual Tibet House Benefit Concert at Carnegie Hall, legendary singer-songwriter Joan Baez invited contemporary singer-songwriter Maggie Rogers on stage to perform a cover of Bob Dylan’s “Don’t Think Twice It’s Alright.” Continue reading »
Mar 312023
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
“Downtown Train.” “Ol ’55.” “Jersey Girl.” These are just three of the Tom Waits songs better known for their covers (respectively: Rod, Eagles, Bruce) than for Waits’ own performances.
It probably doesn’t need saying that Tom’s recordings are, in the best way possible, idiosyncratic. So it makes sense that, like Dylan, like Cohen, his songs often become more popular when more “traditional” voices sing them. Many of the best covers, though, keep some of that strangeness. No, they don’t do “the Tom Waits voice” – most people wouldn’t be able to talk for a week after attempting that. But they don’t sand off the strangeness.
Tom’s debut album Closing Time came out 50 years ago this month; he’s doing a reissue to celebrate. It, and its successor The Heart of Saturday Night, are in some ways his least representative albums, though. The songwriting is already strong on these, but it comes in – if you can believe it – a fairly conventional package. His voice hasn’t revealed its true character (to pick one among many memorable descriptions: “a voice like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car”), and he hadn’t discovered that hitting a dumpster with a two-by-four makes great percussion.
Some of those very early songs get covered in our list below. But his later, weirder, songs abound, too. Tom’s wife Kathleen Brennan, his musical co-conspirator for decades now, said her husband has two types of songs: “Grim Reapers” and “Grand Weepers”. On his Orphans box set, Tom divided them up another way: Brawlers, Ballers, and Bastards. You’ll find some of all flavors below. (And, if you want more new writing on Tom Waits music, subscribe to a newsletter called Every Tom Waits Song that – full disclosure – I also run).
– Ray Padgett
PS. Find Spotify and Apple Music playlists of this list, and all our other monthly Best Covers Ever lists, at Patreon.
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Jan 272023
There are 60 tracks on Fragments – Time Out of Mind Sessions (1996-1997), the latest installment in Bob Dylan’s ongoing Bootleg Series. Dylan himself wrote 59 of them himself. One, however, is an unexpected cover.
“The Water Is Wide” is a traditional American folk song that dates back to the early 1800s. The waters gets a bit murky at that point, but the song, alternately known as “Waly, Waly,” was likely adapted from a Scottish or Irish ballad dating back a couple centuries further.
Dylan himself has been singing “The Water Is Wide” for decades. He first performed it as a duet with Joan Baez, who might well have introduced him to it, on the Rolling Thunder Revue. It was a highlight of their duo sets together. The next year, he sang it at a session for Eric Clapton’s album No Reason To Cry. It returned again in the late ’80s and early ’90s, where he performed an acoustic version in his own shows. Somewhat surprisingly, it doesn’t appear he ever attempted it for the two folk-covers albums he recorded in the mid’-90s, Good As I Been to You or World Gone Wrong.
Now we learn that a few years later, he actually tried it in the studio for a different album. He delivers “The Water Is Wide” beautifully in 1996, at one of the earliest sessions for Time Out of Mind. It’s unclear whether it was actually being considered for the album, or was just a warm-up with the band, but either way it’s clearly a polished arrangement and a wonderfully committed vocal from Bob. (Update: A newspaper report at the time indicates it may have been recorded for a Pete Seeger tribute album, but Bob was unhappy with his performance and pulled it).
Listen to it below, along with versions from Rolling Thunder (with Baez) in ’75, the Clapton session in ’76, and 1989 to compare.
PS. At my live-Dylan newsletter, I wrote an exhaustive guide to the concert recordings on Fragments if you’re into deep-dive Dylan nerdery.
May 272022
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
Today, Steve Earle releases the fourth in his occasional series of covers albums. They pay tribute to his musical heroes and teachers who’ve passed on – Townes Van Zandt, Guy Clark, Jerry Jeff Walker – plus, in one tragic case, his son Justin Townes Earle, who died in 2020.
We’ll be reviewing the new one, Jerry Jeff, in the near future, but as we celebrate covers by Steve Earle, we thought we’d also celebrate covers of Steve Earle. Though he’s never been a big generator of hit singles, this songwriter’s songwriter has had a number of songs become stealth standards, particularly in the Americana, folk, and alt-country worlds. When everyone from Johnny Cash to The Pretenders is singing your songs, you know you’re doing something right. Continue reading »
May 242021
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
When we began our Best Covers Ever series a little over three years ago, Bob Dylan was about the first artist who came to mind. But we held off. We needed to work our way up to it. So we started with smaller artists to get our feet wet. You know, up-and-comers like The Rolling Stones and Nirvana, Beyoncé and Pink Floyd, Madonna and Queen.
We kid, obviously, but there’s a kernel of truth there. All those artists have been covered a million times, but in none of their stories do cover songs loom quote as large as they do in Bob Dylan’s. Every time one of his songs has topped the charts, it’s been via a cover. Most of his best-known songs, from “All Along the Watchtower” to “Knockin’ on Heaven’s Door,” didn’t get that way because of his recordings. In some cases fans of the songs don’t even realize they are Bob Dylan songs. That’s been happening since Peter, Paul, and Mary sang “Blowin’ in the Wind,” and it’s still happening almost sixty years later – just look at the number of YouTube videos titled “Make You Feel My Love (cover of Adele)”.
So needless to say, there was a lot of competition for this list. We finally narrowed it down to 100 covers – our biggest list ever, but still only a drop in the bucket of rain. Many of the most famous Dylan covers are on here. Many of them aren’t. The only criteria for inclusion was, whether iconic or obscure, whether the cover reinvented, reimagined, and reinterpreted a Dylan song in a new voice.
With a list like this, and maybe especially with this list in particular, there’s an incentive to jump straight to number one. If you need to do that to assuage your curiosity, fine. But then come back to the start. Even the 100th best Dylan cover is superlative. Making it on this list at all marks a hell of a feat considering the competition. (In fact, Patreon supporters will get several hundred bonus covers, the honorable mentions it killed us to cut.)
In a 2006 interview with Jonathan Lethem, Dylan himself put it well: “My old songs, they’ve got something—I agree, they’ve got something! I think my songs have been covered—maybe not as much as ‘White Christmas’ or ‘Stardust,’ but there’s a list of over 5,000 recordings. That’s a lot of people covering your songs, they must have something. If I was me, I’d cover my songs too.”
The list begins on Page 2.