Mar 272026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Led Zeppelin

Jimmy Page and John Paul Jones were veteran session musicians. Robert Plant and John Bonham hadn’t turned 21 yet. The first time the four of them got together, they played “Train Kept A-Rollin’,” and in Jones’s words, “the room just exploded, we could see the grins spreading, and we said, ‘Right. We’re on, this is it, this is going to work!'”

Eleven years and change later, the band released a statement: “We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were.”

In between, the band that someone predicted would go over like the world’s biggest lead balloon became the biggest band in the world. Led Zeppelin were pioneers in so many ways. Hard rock, AOR, studio wizardry, stadium touring, album cover design – all saw the band at the forefront. Most importantly, their music was what brought people to them, and what kept them there. All the members were among the best in the world at what they did, and together their alchemy made their songs, whether loud or soft, catch in their listener’s minds and hearts.

When Francis Malofiy called Led Zeppelin “the greatest cover band in all of history,” he didn’t mean it as a compliment. Malofiy was the attorney suing Zeppelin for stealing “Stairway to Heaven”‘s opening riff from the Spirit song “Taurus,” and he certainly wasn’t the first to take the band to court to get songwriting credit. But whether the greatest cover band in all of history synthesized, swiped, or supplanted their influences, the cover bands that came after them were given deep, deep cupboards to plunder, and plunder they did.

We’ve come up with thirty-five top covers of Led Zeppelin songs. Like the band, they branch into blues, country, reggae, folk, and hard rock (and, unlike the band, even jazz). Like the band, they take something great and make it greater. And like Robert, Jimmy, John and John, once you hear it working, your grin is going to spread.

–Patrick Robbins, Features Editor

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Oct 312025
 
The Dollyrots — You Don’t Own Me (Lesley Gore cover)

“It’s My Party” was the bigger hit, but these days it feels like “You Don’t Own Me” gets covered more. It’s become something of a feminist anthem (probably an unlikely future for “It’s My Party”…). Dollyrots singer Kelly Ogden said, in sharing her band’s new revved-up cover, “The song is an anthem for female empowerment, about willing to be defiant in the face of something that’s just plain wrong. Sadly, it’s still just as timely as when Lesley sang it over 60 years ago.”

Folk Bitch Trio — Sex on Fire (Kings of Leon cover)

Remember “Sex on Fire”? Gotta be one of the dumbest singles of the 21st century. Folk Bitch Trio covered it for Like a Version, and they, against all odds, manage to redeem it. “It’s an underrated song,” they said. “It rocks. It’s filthy without you really knowing. The Folk Bitch Trio twist is kind of easy: We just sing it in three-part harmony, lock in, look at each other and we’re there.” Continue reading »

Cover Genres: Banjo

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Apr 212023
 

Cover Genres takes a look at cover songs in a very specific musical style.

banjo

Yes, it’s true–banjo isn’t really a genre, per se, as it encompasses more than one musical style. Way more. But this category could use a kickstart, and what better instrument to provide the kick with?

Now, I love the banjo, but I know full well how many don’t. Indeed, only the bagpipes and the accordion have been the butt of more jokes. My goal, then, is to take you the reader beyond the backwoods and blue grass, and to show you the other vistas where a banjo can not only play, it can also rule.

So then, banjo, do yer worst!
Continue reading »

Nov 302022
 
best cover songs of november 2022
Bob Dylan – I Can’t Seem to Say Goodbye (Jerry Lee Lewis cover)

Bob Dylan doesn’t change his setlists much anymore. In fact, on his recent UK and European tour, he played the exact same setlist every single night…except one. The day it was announced Jerry Lee Lewis passed away, Dylan returned to the stage after his usual finale “Every Grain of Sand.” As anyone who’s read his new book knows, Bob knows his music history. So he skipped the obvious picks and tackled the quite obscure Sun Records-era outtake “I Can’t Seem to Say Goodbye.” Continue reading »

Sep 022022
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Pearl

The album Pearl saw Janis Joplin working with a strong set of songs, a tight band in Full Tilt Boogie, and a simpatico producer in Paul Rothchild. She may not have known she was making a masterpiece, but there was no disguising how well the sessions were going. They came to the most abrupt end possible, however, on October 4th, 1970, when Joplin died of a heroin overdose at the age of 27. A few months later, Pearl was released, and while her death couldn’t help but overshadow it, over the years that shadow has receded. More than just a final statement, it sealed Joplin’s place as the best female singer of blues and rock ‘n’ roll of her era, and in “Me and Bobby McGee” it contained her signature song, one that still feels good to hear on the radio.
Continue reading »

May 252022
 

Rarely Covered looks at who’s mining the darkest, dustiest corners of iconic catalogs.

bob dylan 1970s

Part three of our Rarely Covered Dylan Songs series – after the Early and Late 1960s – sees us hit the era of Blood on the Tracks, Desire, and Bob’s first gospel album. But this doesn’t include songs from any of them! As with the first two installments, our definition of what Dylan song could qualify as “rarely covered” starts at “not on a proper album” and expands (or, rather, constricts) from there. So below, covers of outtakes and oddities from Bob’s second decade. Continue reading »