Jul 142023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best grateful dead covers

I’ve heard it said that one of the curses of having a hit song is that the artist is forced to sing it for the rest of their life the same exact way it was recorded. While that may be true for some artists (certainly for the Eagles), it has not been the case for the Grateful Dead.

Since they released their first album in 1967, the band has never viewed their recordings as sacred texts. Instead they treated their songs as blueprints, starting places to begin the next great jam. Every time they perform a track, it’s like they’re covering themselves.

Take a song like “Fire on the Mountain.” It was originally recorded by Dead percussionist Mickey Hart as an instrumental called “Happiness is Drumming” on his 1976 album Diga. Robert Hunter eventually added lyrics, and the band began performing it on their legendary Spring ‘77 tour. They later recorded a condensed studio version for their 1978 album Shakedown Street, sung by Jerry Garcia. Since his passing, it’s been performed by many Dead offshoot bands and sung by the likes of Bob Weir, Bruce Hornsby, Oteil Burbridge, and, even reggae singer Jimmy Cliff. Each version is so different that I couldn’t tell you what counts as the “original.” One can trace a similar pattern with many of the Dead’s songs through the decades — don’t get me started on “Dark Star.”

Artists covering a Dead song have an invitation to reinvent it, as if at the request of the ghost of Jerry Garcia. Given such freedom, it’s only natural that the Dead’s catalog has inspired countless musicians across genres to put their own spin on the songs. This explains why nearly six decades after the band’s formation, and with the latest incarnation Dead & Company wrapping up this weekend, the onslaught of covers shows no signs of ever, ever stopping. These cover songs guarantee the band’s music will live on long after the last remaining members have passed away.

Here is a list of our favorites…

–Curtis Zimmermann

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May 242019
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

time out of mind covers

For Bob Dylan’s 78th birthday today, we wanted to post covers of every song on one of his classic albums. Problem was, we’d already given the “Full Albums” treatment to so many contenders: Highway 61 Revisited, Blood on the Tracks, Blonde on Blonde, Bringing It All Back Home, and John Wesley Harding. We’d even done a couple of the oddballs: Empire Burlesque and Street Legal.

So, for the first poll on our new Patreon account, we put the question to our backers. Time Out of Mind beat out its competitors Desire and Freewheelin’ by a single vote – a testament to the power of Dylan’s latter-day work. Turns out, Dylan has a lot of classic albums.

Calling Time Out of Mind Dylan’s comeback, as many do, overstates it a bit. After, he was only eight years on from his last “comeback” album – 1989’s Oh Mercy – and had released several quite respectable records in between (though the less said about “Wiggle Wiggle” the better). Continue reading »

May 242019
 
jenny lewis standing in the doorway

We’ve been celebrating Bob Dylan’s upcoming birthday in Cover Me style, by bringing you new and beautiful renditions of his not-so-often-covered classics. Earlier this week, we listened to Vampire Weekend cover “Jokerman” and today we have the pleasure of listening to Jenny Lewis deliver a pensive and simple rendition of his 1997 song “Standing in the Doorway” at a recent live performance for Minneapolis radio station The Current. Continue reading »

Apr 102018
 

That’s A Cover? explores cover songs that you may have thought were originals.

dont let me be misunderstood covers

Nina Simone will be posthumously inducted into the Rock and Roll Hall of Fame this weekend. To anyone counting, that is 24 years after the Animals were inducted. And they wouldn’t have had one of their most enduring hits without her.

Though Animals frontman Eric Burdon is a fine songwriter in his own right, he didn’t write the majority of the band’s biggest 1960s hits. “We Gotta Get out of This Place” was written by the iconic Brill Building duo Barry Mann and Cynthia Weil, and originally intended for the Righteous Brothers. “It’s My Life” also came out of the Brill stables, written for the band by lesser-known duo of Roger Atkins and Carl D’Errico. And “House of the Rising Sun” was a traditional cover Burdon learned off of Bob Dylan’s first record. Continue reading »

Aug 152016
 
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Preparing for this past weekend’s “Day of the Dead” concert – the all-star band rendition of The National-lead Grateful Dead tribute album of the same name at Bon Iver’s Eaux Claires festival in Wisconsin – I interviewed a handful of involved artists and kept asking a question that no one knew exactly what to do with. My question: “Given the legacy of the Dead as a live band, what is going to be different about playing these covers live, as opposed to recording them for a tribute album?”

After a thoughtful silence that may have been tinged with a little bit of puzzlement, everyone said something about it being a terrific opportunity to harness the additional energy of having a live crowd.

“No [it’s not going to be harder],” Megafaun’s Phil Cook told me, “mostly because people are just stoked as shit to hear a Dead cover. Whenever people in the audience recognize it, they just lose their shit. They’re so happy that you’re doing it. It’s a completely welcome enterprise.” Continue reading »

Apr 282016
 
national-feature

The Grateful Dead – the iconic (nay, legendary) Palo Alto ensemble whose longevity, sheer number of live performances, eclectic and improvisational musical styles, as well as religious fanbase cemented them as one of the most influential and groundbreaking groups of rock and roll history – will be honored this May in an upcoming epic homage titled Day of the Dead.

As one of our own feature writers, Jordan Becker, so elegantly put in his In the Spotlight segment: “The Dead were not only a band; they typified a lifestyle that extended the hippie culture of the 1960s decades after most of the world turned it into a punchline.” Dubbed the “pioneering Godfathers of the jam band world,” their legacy lingers on, and with contributions from an overwhelming number of some of the music industry’s most respected names today, their music will be celebrated. Continue reading »