Nov 162021
 

Soulsavers is, or was, the nom de guerre for the initially electronica production team Rich Machin and Ian Glover, who have increasingly developed into the providers of a lush neo-gospel soundscape, incorporating element of country, soul, and blues, into which a variety of singers have embedded (usually) rich and evocative vocals. Dave Gahan is, of course, the front man for Depeche Mode, as famous for his medical history as his work in those early adopters of electronica/pop. His tones are perfect for the Soulsavers brand, and he first came aboard in 2012, singing and writing much the material for The Light the Dead See. This prove a bigger draw than earlier material and the collaboration continued, with the next album, Angels and Ghosts, perhaps ominously now under the Dave Gahan and Soulsavers soubriquet. The duo then made an instrumental album, Kubrick, Gahan returning to Depeche Mode duties.

Last year Gahan began to drop hints as to a further collaboration, and that it would be a covers collection: “When I listen to other people’s voices and songs—more importantly the way they sing them and interpret the words—I feel at home. I identify with it. It comforts me more than anything else.” A taster, the Cat Power song “Metal Heart,” dropped a month or so back and all seemed to be auguring well. Now we have Imposter, the full basket of fruits of their labors. And we have a problem.
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Dec 072018
 

Cover Classics takes a look at great covers albums of the past, their genesis and their legacies.

Black Friday may have gone, but here’s a twofer bargain.

Cat Power, aka Chan Marshall, has produced two near-full album cover classics in her career (so far), which doesn’t even begin to fully address her never-more-quirky approach to the songs of others. Not that she is lost for any words of her own! She’s got a back catalogue stretching across many styles and many genres, from raw scratchy indie through slinky southern soul, a touch of electronica and back again, yet always unmistakably herself. Her career has seen her seemingly beset by internal demons; many had written her off until her triumphant return this fall with Wanderer, containing ten of her own songs, and one contender for our Cover Songs of the Year post.

But it is back to 2000 we first go, to The Covers Record. Allegedly a disappointment to her record company, who had appreciated this was an artiste worth their investment, but even with lackluster promotion it became a slow burning triumph. Praise and plaudits accumulated over the years, not least as box set dramas required ever more diverse musical accompaniments.
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Oct 142016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

otis redding

Otis Redding built one of his greatest songs out of almost nothing. Guitarist and co-writer Steve Cropper explains: “‘I Can’t Turn You Loose’ was just a riff I’d used on a few songs with the MG’s. Otis worked it up with the horns in about 10 minutes as the last thing we did one night in the studio. Just a riff and one verse that he sings over and over. That’s all it is.”

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Feb 172016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.  

aretha-franklin

We were always wanting to come up with the best cheatin’ song, ever. — Dan Penn

Dan Penn, from the musically abundant and fertile lands of Muscle Shoals, Alabama, served as a performer, producer, and songwriter for soul music’s Mecca, FAME Studios. Chips Moman, an accomplished musician and songwriter, owned American Sound studios in Memphis, Tennessee. Moman is known for recording Elvis Presley, along with other legendary greats. Together, they co-wrote a few songs, including “Do Right Woman, Do Right Man” for Aretha Franklin.

The initiative for their goal of writing “the best cheatin’ song, ever,” occurred while attending a DJ Convention in Memphis, Tennessee in 1966. During a break in a card game, inspiration struck Penn and Moman, and they needed a place to get it all down. Quentin Claunch of Hi Records agreed to lend his hotel room to the galvanized duo to write the song in, contingent on the agreement that the song would be given to James Carr to sing. Half an hour later, Penn and Moman emerged with a perfectly crafted musical masterpiece called “The Dark End of the Street.” Mission accomplished.
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Feb 112011
 

This past Tuesday Counting Crows singer Adam Duritz announced a new project on the band’s Facebook page. For the week leading up to Valentine’s Day, he would cover one love song a day. He’s four days in and we’ve got ‘em for you below. So far he’s tackled, in order, Steve Earle, Ryan Adams, Tom Waits, and the Cars. Four down, three to go! Continue reading »