Aug 282018
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

devo covers

Devo released their brilliantly-titled debut album Q: Are We Not Men? A: We Are Devo! forty years ago today. Though later albums would yield bigger hits (we’re still a few years from “Whip It”), their debut remains their most iconic record. Blending their poppiest hooks with their artiest quirks, it works wonderfully as a statement of purpose.

As Mark Mothersbaugh and Gerald Casale told me when I wrote about their “Satisfaction” cover for my book (you can still read an excerpt of that chapter at The New Yorker), even completing the album became a monumental pain. Having Brian Eno produce your debut record would seem a coup, but sessions quickly became fractious. Devo wanted to record the album with zero studio experimentation. They’d honed the songs over several years of concerts and rehearsals, and saw no reason to change them. Eno did not go for that approach, sneaking into the studio with his pal David Bowie after the band left and adding new instruments at least once. The next morning, Devo caught on and wiped them. Devo’s instincts have rarely led them astray, but boy I’d be curious to hear what Bowie was trying to add to the tracks. Continue reading »

Jun 282011
 

Take one part punk, mix in one part glam, one part heavy metal and a whole lot of teenage sass and you get the perfect rock’n’roll band: The Runaways. Remarkably young – the oldest members of the band were 17 upon the release of their eponymous first record – the band dissolved amongst a haze of drug abuse and musical differences after four studio albums. Joan Jett continued to hold the punk torch post-breakup, building a successful career backed by the Blackhearts. Now indie rock’n’punk connoisseurs Main Man Records have compiled an extensive two-disc tribute celebrating the music of the Runaways.

The release is not without controversy. Jett and singer Cherie Currie have sued to block the release complaining that the label has used their names to promote the album without permission. Somewhat fitting given that in their time the stories that swirled around the band often overshadowed the music they made. Continue reading »