Dec 092025
 

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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Feb 282025
 

These Quiet FriendsThea Gilmore has been on quite a journey these past few years, and, against the odds, has shown herself to be a survivor, when the odds were more she may barely wash up. One of those artists seemingly around for ever, it is a shock to realize she is still only in her mid-40s, despite a staggering catalog of over 20 albums, starting in 1998.

Whilst her own writing is sharp and incisive, she is neither a stranger to covering the work of other artists. That’s how we know her here, with her 2011 track-by-track recreation of Dylan’s John Wesley Harding meeting with no small approval. Prior to that she had issued 2004’s Loft Music, a diverse set that ranged from Creedence Clearwater Revival through to Phil Ochs, via the Ramones and Neil Young. On Don’t Stop Singing (also in 2011), she was gifted the opportunity to put music to a set of posthumous orphan lyrics written by Sandy Denny. (The fact that UK Denny tributers the Sandy Denny Project have covered one such song, “London,” is a wry testament.)

Anyhoo, here we are in 2025, and here is These Quiet Friends, a second set of disparate covers. The mood is here more consistent than the earlier set, that mood being generally low key and pensive, perhaps given away by the album title. An impression is that these songs helped sustain her over the brick wall her personal life crashed into, back in 2021. The details aren’t for here, but rather than a career-put-on-hold stalling release, this set provides a companion to Gilmore’s new material, which continues, her muse anything other than consumed by circumstance.
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