Sep 232024
 

Silver Patron Saints Jesse MalinYou’ll know Jesse Malin possibly best from his address book, stuffed full the big names who are more than happy to sing alongside him. This does him a disservice, as his four-decade-plus career, two-plus of which have been as a solo artist, has produced a glut of well-received albums, nine in the studio and two live. So, regardless of heavy friends, you could say Jesse Malin can stand perfectly well on his own two feet.

Except now, tragically, he can’t. Malin sustained a spinal stroke in May of last year, effectively severing his spine, decimating any use below the level affected. He is now paralyzed from the waist down. He is 57, so still in his prime, as an exponent of muscular heartland rock and roll music.

Time to put that address book into use. Actually it was they that came to him, so as to enable Silver Patron Saints: The Songs of Jesse Malin to exist. This package serves as both benefit and tribute, and it has quite the roster, with a list of the great and the good rubbing shoulders with the simply celebrated.

So we got Bruce Springsteen, always one of Malin’s biggest champions, side by side with Billie Joe Armstrong of Green Day. There’s also representation from some of the seers of urban “rawk”, Willie Nile and Alejandro Escovedo. Lucinda Williams (who produced one of his albums) appears, as do a number of Brits, including Elvis Costello and Graham Parker. In fact, given it has always been the UK that has given Malin some of his staunchest support, his releases often on or for record companies based there, there is also support from a younger wave of UK artists perhaps less acknowledged this side the pond, artists like Frank Turner.

How do you begin best to describe the sort of music made by Malin, without just listening those who provide similar? My best bet is to suggest it the sort of music you would enjoy listening to in a bar, with, preferably, a bevy of electric guitars, pounding piano bolstered by an organ backdrop, impassioned vocals and, perhaps, some cheese cutter sax. That the bass and drums are driving should come as a given. So far, so E Street band, but they weren’t the first and certainly not the last. And with Silver Patron Saint boasting 27 tracks (available on triple vinyl or two CDs), where to begin? Continue reading »

Nov 242023
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The Pointer Sisters

When we think of The Pointer Sisters–June, Ruth, and Anita, L to R above–we tend to think of their fun, frothy, soul-pop ’80s mega-hits like “He’s So Shy,” “I’m So Excited,” “Jump (For My Love),” and “Automatic” (to name a handful). These deliriously happy 40-year-old (!) songs, with their “roller rink-aerobics class-cruise the strip in a neon pink convertible” vibes, still have the power to kickstart even the most jaded heart.

But those hits don’t tell the whole Pointer Sisters story. You see, in the late ’70s, just before the aforementioned hot fudge sundae of singles was unleashed, The Pointer Sisters released two bona fide, screaming, strutting, sexy ROCK albums in a row. This is the story of those rebellious years when The Pointer Sisters, beloved AM radio sweethearts, went totally FM. Let the fantastical and improbable tale begin…
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Nov 012013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“Sweet Jane” is a great song. Released on 1970’s Loaded, the Velvet Underground’s last studio album featuring Lou Reed, it immediately became a staple of FM radio, despite its odd and provocative lyrics, unusual structure, and unconventional sound, and it continues to get airplay to this day. What’s the appeal? Part of it, of course, is the riff (which apparently includes a “secret chord”), part of it is the indescribable cool of Reed’s delivery, and part of it is that magic that makes some songs great and others not so much. According to Rolling Stone, it is the 335th greatest song of all time, which is curiously specific. And now, in honor of Reed’s passing earlier this week at the age of 71, the time has come to write about it here on Cover Me.
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Jun 032011
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

ian hunter covers

Happy birthday, Ian Hunter! You remember Ian, don’t you? You’re not alone if you don’t. Hunter is kind of like that small-market baseball player who toiled admirably outside of the glitter of the big media centers. And, like a well-rounded, five-tool player, Hunter excelled at all the critical elements of his job. He could write solid songs, was an above-average vocalist, and could play guitar, bass and piano. Plus, with his poise, full mane of curly blonde hair, and trademark shades, Hunter sure looked the part of iconic ‘70s front man. Continue reading »