Nov 122019
 

‘The Best Ever’ series counts down our favorite covers of great artists.

REM Covers

Last week, R.E.M. released a 25th anniversary expanded reissue of their 1994 album Monster. Unlike many of their albums, Monster was not an obvious candidate for a splashy box set. Practically every new review has noted that Monster was, as Salon succinctly put it, “a notorious staple of dollar bins everywhere.” But, as tends to happen with such reissues, the celebrated albums get celebrated again and the less-loved albums get a critical reappraisal. Sure enough, everyone loves Monster all of a sudden.

So perhaps an avalanche of Monster covers is forthcoming – because there certainly aren’t many now. Despite that being the ostensible news peg for this list, no songs from that album appear on it. But, in a band with as rich a discography as R.E.M.’s, there was a lot of competition. Sure, the obvious hits get covered as much as you think, but many artists delve deeper. The song at the very top of the list, for instance, originally appeared on 1998’s Up, an album that might have an even worse reputation than Monster.

Luckily we don’t need to wait four more years for the reappraisal of that, or of any of the other songs on our list. These 25 covers reappraise R.E.M. deep cuts you didn’t know and reimagine the hits you’ve heard a million times.

The list starts on Page 2.

Aug 222019
 
hootie barenaked ladies

During the mid-1990s, there were fewer rock-pop crossover bands bigger than Hootie and the Blowfish. But their decline at the end of the decade paralleled their meteoric rise. When the band called it quits in 2008, there was little fanfare or farewell. Continue reading »

May 152019
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s your favorite example of an artist “covering” their own song?
Continue reading »

Nov 092018
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The Smiths

If you Google “perfect Smiths song,” you’ll find a lot of different titles – “The Boy with the Thorn in his Side,” “How Soon Is Now,” “I Won’t Share You,” “Half a Person,” and “There Is a Light That Never Goes Out,” just to name the results on the first page. But some opinions are bigger than others, and in lead singer Morrissey’s opinion, the perfect Smiths song – or at least, in his words, “very close indeed” – was “Please Please Please Let Me Get What I Want.” Allmusic.com calls it “a minimal yet lush two minutes of almost otherworldly beauty… Almost impenetrably sad, [it’s] a masterpiece both musically and emotionally.”

Starting life as a Johnny Marr instrumental called “The Irish Waltz,” the song became something more once Morrissey sang his lyrics of longing in a voice far gentler and quieter than his usual melodramatic croon. “Please Please Please” turned into a hymn to the art of pining and yearning, the anthem of the unrequited lover, cf. Duckie in Pretty in Pink. And it did so in a minute and fifty seconds, making it the shortest Smiths song ever. Why so short? Morrissey explained:

When we first played it to Rough Trade, they kept asking, “where’s the rest of the song?” But to me, it’s like a very brief punch in the face. Lengthening the song would, to my mind, have simply been explaining the blindingly obvious.

Continue reading »

Jul 262017
 
mark bryan hootie

Mark Bryan wears many hats. Best known as the guitarist co-founder of Hootie and the Blowfish, he also runs an after-school music program for kids and just won an Emmy for producing the PBS music series Live at the Charleston Music Hall. He’s lived in South Carolina for decades, and a concert there when he was in college inspired a track on his new album. It’s a good story, so we’ll let him tell it: Continue reading »

Aug 022013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

From a Tom Waits interview, circa 1985:

You were in your early twenties on your first album, but you already had an old man’s perspective in songs like “Martha” and, though I can’t say why, “I Hope That I Don’t Fall in Love with You.”

I have a little trouble with those songs when I hear them. I don’t really like listening to my early songs. I guess I feel I got better as a songwriter.

Maybe they remind you too much of yourself at the time.

Probably. Yeah. A sentimental guy bellyaching. What the hell?

Continue reading »