I’ve wanted to do a “Full Albums” on Patti Smith’s Horses for years. But it, and she, gets covered less than you’d think. This beautiful piano “Redondo Beach” gets me one step closer. Though, admittedly, I already had Courtney Barnett’s recent cover for that slot. Someone cover “Break It Up” already!Continue reading »
With their surprise success “Africa,” Weezer delivered easily the biggest cover-song news of 2018. And they similarly seemed poised to dominate this year’s cover-album news when they dropped a full set of similar songs in January (that album’s not on our list, because it is – and I say this as a fan for going on 20 years – terrible).
Thankfully, that album got forgotten about five minutes after its release. A slate of other high-profile cover albums took its place, and delivered more staying power. Angelique Kidjo, Morrissey, and Juliana Hatfield all released covers albums, and a host more stars contributed in one way or other to tribute compilations, from Norah Jones and Margo Price covering Bobbie Gentry to Courtney Barnett and Kurt Vile tackling Wilco. Some of the aforementioned made our list and some just missed it, but all are worth investigating.
That’s to say nothing of the many lesser-known artists who came out of nowhere, amazing covers records by bands and singers I’d never heard of before. Covers albums can offer a wonderful entry point for discovery, and I’ve now got a lot of new favorite bands to dig deeper into. Hopefully you’ll find a few here too.
Ashley O [Miley Cyrus] – Right Where I Belong (Nine Inch Nails cover)
The second-most-bonkers cover of the month (just wait ’til we get to “Spicy”) comes from – who else – Miley Cyrus. On a new episode of Black Mirror, she covers/parodies angsty Nine Inch Nails songs as the most insipid of pop jams. Trent Reznor, for one, says he is very much on board (given the lyric changes, these covers required his legal approval). Miley’s songs in character as Ashley O are outrageous and borderline offensive, which is kind of the point. “On a Roll” (FKA “Head Like a Hole”) has gotten most of the attention, but “Right Where I Belong” is more listenable. Marginally. Continue reading »
Long before Disney began remaking its animated classics into live-action films famed director Robert Altman made Popeye. The 1980 musical starred Robin Williams as the spinach-eating sailor and Shelley Duvall as his love interest Olive Oyl. Upon its release, the film underperformed at the box office and earned mixed reviews from critics. Time has been kinder though, as some have praised it in recent years. “Altman imbues in Popeye a madcap mania that bares more than a few ‘Felliniesque’ touches, with its own intricate orchestration of audio-visual chaos, animated sound effects, breakaway props, and frenzied pratfalls,” writesScreen Mayhem.Continue reading »
That’s A Cover? explores cover songs that you may have thought were originals.
Fred Neil just wanted to go home. The cantankerous folkie hated being in the studio, and pulling his third album together was like pulling teeth. It was almost finished, but it had to have one more tune to fill it out.
“We needed another song, and he said he might have one more,” said his manager, Herb Cohen. “Matter of fact, I think he completed it in the toilet of the Capitol Records studio. As you can tell by the lyric, all he wanted to do was finish the album and go to Florida.”
Singing in a gruff, weary voice, Neil finished his yearning to breathe free in one take and got out of the studio as fast as he could. The album, Fred Neil, didn’t sell well, which probably suited Neil just fine – the less publicity he had to do, the better. Little did he know that he had just come up with the key that would unlock the door to his freedom. Continue reading »
In Pick Five, great artists tell us about five cover songs that matter to them.
We first came across Geographer in 2011 with his great cover of New Order’s “Age of Consent.” Seven years later, he’s blossomed into a killer electropop producer, singer, and songwriter. His new EP Alone Time finds him pushing his pop instincts to their limit, on five insanely catchy dance jams that would work equally well in a club or on headphones. Here’s a sample, new single “Read My Mind”:
Geographer main man Mike Deni told PopMatters “Musically, [the EP] represents an obsession with pop music that went to its furthest reaches and boomeranged back again into making not just lyrics, but sounds, that matter.” On the five covers he picked out for us, though, he dug beyond that pop music obsession into his songwriter roots, picking classic performances by the likes of Jeff Buckley and Harry Nilsson (though fans of his poppier side needn’t worry; by the end he gets to a “karaoke classic”).Continue reading »