Sep 082025
 

Jason Molina was the man, the inspiration, the words and, most of all, the voice behind Songs: Ohia, and Magnolia Electric Company. A major force, he died too young, aged 39, a victim of his battle with alcohol, and it is perhaps only now the importance of his legacy is making itself extant. Had he got sober, and maybe a bit happier, he would undoubtedly be where Jason Isbell is now today, Kindred spirits both, each had a canny way around a maudlin melody, built over with keenly observed lyrics, often those born of experience. And boy, was he prolific, issuing a torrent of albums, often more than one a year, as well as leaving a cache of tapes behind for his record company, Secretly Canadian, to slowly sift through.

Those good folk at Run For Cover Records are responsible for this curated compilation, and, in recognition of the circumstances of his passing, 10% of the profits of each copy of I Will Swim to You: A Tribute to Jason Molina will be donated to MusiCares® Mental Health and Addiction Recovery Fund. (Is it me, or is there not an all-too-tragic run of similar recordings just recently?) The contributors tend towards fellow travelers in the dusty outlands of contemporary gothic country noir, the broodier end of Americana, if you must, with MJ Lenderman, Sun June and Hand Habits (Meg Duffy) perhaps the best known. The songs traverse the whole of Molina’s catalog, with one song emanating from his posthumous stash.
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Feb 032025
 
olivia kaplan hand habits birds cover

A deep cut from Neil Young’s After the Gold Rush, “Birds” is still one of his more frequently covered songs, with over 40 official covers. Perhaps its due to the popularity of that album that the song is known so well, or just the stark, heartbreaking beauty of the song. It’s a relatively unusual arrangement for Young, perhaps inspired by his experience recording with Crosby, Stills and Nash immediately beforehand. It’s just Young at the piano accompanied on background vocals by two members of Crazy Horse. Continue reading »

Feb 032025
 
best cover songs
abazaba ft. Eugene Hütz — Isolation (Joy Division cover)

Adam Granduciel, Sharon Van Etten — Abandoned Love (Bob Dylan cover)

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Dec 172021
 

Follow all our Best of 2021 coverage (along with previous year-end lists) here.

best cover songs of 2021

To come up with our year-end list, we listened to thousands of covers.

That’s not an exaggeration, or loosely throwing around “thousands” for effect. My iTunes tells me I personally listened to and rated 1,120 new covers in 2021. And I’m just one of a dozen people here. Many of those thousands of covers were very good! But “very good” isn’t good enough for our annual year-end Best Cover Songs list. So when we say these 50 are the cream of the crop, we mean it.

They, as usual, have little in common with each other. A few tie into current events: Artists we lost, social justice concerns, live music’s fitful return. Most don’t. But does a doom metal cover of Donna Summer really need a reason to exist? How about African blues Bob Dylan, New Orleans bounce Lady Gaga, or organ ballad Fleetwood Mac? Nah. We’re just glad they’re here.

So dive into our countdown below – and, if you want us to send you a couple hundred Honorable Mentions culled from those thousands, join the Cover Me Patreon.

– Ray Padgett, Editor in Chief

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Mar 012021
 
best cover songs february 2021
Black Country, New Road – Time to Pretend (MGMT cover)

If you’re expecting the “Time to Pretend” you knew and loved a decade ago, think again. UK post-punkers Black Country, New Road, one of the buzziest bands of the new year, deconstruct the song entirely. It starts pretty sane, then gradually veers off the tracks into chaos. By the end there’s a free-jazz sax solo leading a wall of noise only barely identifiable as this, or any, song. Continue reading »

Feb 222021
 
hand habits i believe in you cover

Neil Young‘s ambivalent love song “I Believe in You” from After the Goldrush was a popular song to cover after he first released it, with high profile versions from the likes of Linda Ronstadt and Rita Coolidge. The song’s chorus is one of Young’s most overtly romantic but the verses reveal all sorts of doubt about the relationship, that are often lost in cover versions. Continue reading »