Feb 032012
 

The Axis of Awesome bill themselves as “Australia’s Most Awesomest Musical Comedy Sensation.” With their 2011 viral video hit “4 Chords” nearing four million views, they are certainly trying to earn that title. The trio features Benny Davis on keyboard and vocals; Benny was an original member of the Aussie sketch comedy troupe “The Delusionists” and is a virtuoso on keyboard. He has taken on a side-project featuring his uncanny skill-set as The Human Jukebox. Continue reading »

Jan 312012
 

Try listening to electropop artist Haddaway‘s “What Is Love” without bobbing your head. First recorded in 1993, the song garnered most of its popularity with the help of the 1998 comedy, A Night at the Roxbury, and, nowadays, it’s a staple on any ’90s dance-club music playlist. While Haddaway’s version is more made for dancing, Italian band Hot Gossip’s cover – posted for free in preparation for their soon-to-be-released album, Hopeless – is a lot more indie. Continue reading »

Jul 282011
 

Two weeks ago we brought you a Serbian a capella group covering Rammstein. Now a Danish a cappella group has put together a ’90s dance medley. Is this some sort of new trend? European a cappella groups expertly covering forgotten hits from the ’90s? If they’re as good as these two, we say “bring it on!” The most striking thing about Local Vocal’s medley of ’90s club hits is that they managed to pick some of the most annoying songs from that time period. You probably never wanted to hear “Scatman” or “I Like to Move it” again, but somehow they have been worked into this arrangement without making your ears bleed. In fact, you might be fooled into thinking those songs weren’t actually so bad. Continue reading »

May 052011
 

“What Is Love?” has had a special place in my heart ever since a friend and I requested it at a sweet sixteen party and turned the dance floor into the most Night At The Roxbury-esque mosh pit ever. So, when I read that Old Amica’s cover was slowed down and acoustic, I was concerned – what would become of my beloved synthpop ridiculousness? Continue reading »