Jan 222019
 

In the back of Houston’s folk music club The Sand Mountain Coffee House in the late 1960s hung a mural in full view of the artists performing. It paid tribute to five of the best songwriters of the day: Townes Van Zandt, Guy Clark, Jerry Jeff Walker, Don Sanders, and Mickey Newbury. It was to this spot – where Townes lived upstairs, where Jerry Jeff wrote “Mr. Bojangles” – that Steve Earle made a pilgrimage from San Antonio in order to meet Van Zandt. Earle not only met the troubled troubadour, but began a life-long friendship that resulted in naming his firstborn son Justin Townes Earle, and, in 2009, the release of Earle’s tribute album Townes, covering many of his greatest songs.

After meeting Townes, Steve left Houston and headed for Nashville in search of another one of his idols, Guy Clark. He found him in the back room of a bar playing pool. Here, history seemed to repeat itself as the two met and became very fast friends with Earle quickly joining Guy’s band as the bass player. And now, in 2019, ten years after the release of Townes, Steve Earle is set to release a set of his favorite Guy Clark songs, simply called Guy. Continue reading »

Sep 252018
 
asleep at the wheel dublin blues

Guy Clark’s “Dublin Blues” is a highly cerebral breakup song. Reworking an old folk tune called “Handsome Molly” as the title track to a 1995 album, the song starts out with the narrator wishing he was at a bar in Austin drinking “Mad Dog margaritas.” The lyrics then depart on a whirlwind trip around the world, passing through Dublin, Fort Worth, Paris, Spain, and ending on the Spanish Steps in Rome. Throughout his career Clark wrote a number of country hits for others including Bobby Bare, Ricky Skaggs and Vince Gill, but “Dublin Blues” is his most popular song as an artist on Spotify, having earned nearly three million listens.

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Pick Five: Wussy

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May 172018
 

In Pick Five, great artists pick five cover songs that matter to them.

wussy cover songs

Next year marks the fiftieth birthday of Robert Christgau’s “Consumer Guide” record reviews. His blurbs pioneered the idea of giving albums letter grades, and he’s graded thousands over the years. In the 2010s, though, he’s only awarded a coveted A+ four times. The recipients: A Tribe Called Quest, Laurie Anderson, Vampire Weekend, and… Wussy. As if that wasn’t high enough praise, in that Wussy review for 2014’s Attica! he dubs them “the best band in America.”

He’s not alone, either. This Ohio band, based around the duo of Chuck Cleaver (formerly of Ass Ponys) and Lisa Walker – middle and left in that top photo, respectively – has become a critics’ darling in recent years. Their new album What Heaven Is Like should only continue that trend. Billboard’s already called it “a concise 10-song meditation on hope and fear,” and it doesn’t come out until tomorrow.

Two of those ten songs are covers, the first time the band’s included any on a proper album. Not that most listeners will probably realize that they’re covers; these music superfans dig deep into the vaults, covering cult favorite folkie Kath Bloom’s “Oblivion” and 1970s garage rockers The Twinkeyz’ “Aliens in Our Midst.” Listen to the latter: Continue reading »

Nov 112011
 

As the frontman for alt-rock heroes Dashboard Confessional, Chris Carrabba has been capturing ladies’ hearts with his angsty, swoon-worthy voice since 2000. Now it seems that the Connecticut-born singer is ready for something new. This winter he’s embarking on an acoustic tour, but this time around he’ll be flying solo – just a man and his trusty guitar. And Covered in the Flood, Carrabba’s first solo album featuring nothing but covers, will be available at his shows. He generously gave the public a little taste of what’s coming by sharing five of the ten tracks. Continue reading »

Jul 152011
 

When reviewing covers, we generally talk in terms of a particular artist, song, or album being covered. A covers album taking a broader look at a theme or genre comes along relatively rarely. There’s a free new two-disc collection out there that does just that, though, hitting the mark spot on. OndaDrops Vol 4: Oneway Ticket to Nowhere is a collection of contemporary artists covering American country outlaw singer-songwriters from the ’70s. United by the same desire for sincerity, and impatience with the rules and conventions of glitzy Nashville, modern folk/country artists perform songs about alcohol abuse, sleeping around, and living a life on the edge of society. Continue reading »