Jan 202017
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

gnr

One could make the argument that ’80s rock ‘n’ roll changed the moment W. Axl Rose stepped off a bus with a piece of hay between his teeth. That was the indelible image that opened the video for “Welcome to the Jungle,” a song that opened with a great “SundaySundaySUNDAYYYY!!” riff from Slash and took the listener on a ride – no, a careen through the worst that the big city had to offer. It opened the best-selling debut album of all time, 1987’s Appetite for Destruction, with as big a bang as one could ask for, and to this day it intimidates visiting teams at sporting events nationwide.
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Dec 062016
 
best cover songs

Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.

We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer. Continue reading »

Dec 012016
 
Majorleans

When we last heard from Majorleans frontman Nick Francis DiFonzo, he was paying tribute to Harry Nilsson with his EP Francis Schmancis. He’s taken on a very different source for his latest cover – but the end result still kind of sounds like a Harry Nilsson song! To bid farewell to a stressful November, he recorded a cover of the Guns ‘n’ Roses lighter-waver “November Rain.” It’s mellow and melancholy, like if Axl and Slash recorded down in Laurel Canyon. Continue reading »

Jun 222016
 
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Like most people who say they love Guns N’ Roses, I’ve only listened to Appetite for Destruction, “November Rain,” and the deep cuts like “Sweet Child O’ Mine” and “Cherry Pie.” Like most jealous people, I make fun of the things I love the most, and I know that I’ll never write as good hard rock music as Guns N’ Roses. Continue reading »

Mar 302016
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Guns-N-Roses

Guns N’ Roses’s “November Rain” is a huge song. Its size doesn’t just come from its length (it’s almost nine minutes long, making it the longest single ever in the Billboard Top 10). It’s not its long gestational period, either (Tracii Guns says that Axl Rose already had a working version of it in 1983, back when he was still with the L.A. Guns). Nor is it only the cryptic video (Axl lost somebody, for sure, but otherwise who knows was was going on exactly?). “November Rain” is an epic because in addition to all these elements, it takes the listener on a journey, and it’s one we’ve all been on before.

When the song begins, we’re dropped into a relationship on the edge. It’s been on-again, off-again, and both parties are unsure of where they stand. Slash’s first two solos during this part of the song soar, making you feel like everything is going to work out for these two. The last verse reinforces this feeling. When Axl sings “Never mind the darkness, we still can find a way. And nothing lasts forever, even cold November rain”, we feel like this couple has turned the corner and is on the right path.

And then comes the apocalyptic coda. Instead of tenderness, we get intensity. Between the thunder of the piano and the snarl of the third guitar solo, it’s clear that we ended up getting two songs for the price of one. This is the story of a relationship on the rocks, surviving through its ups and downs; and then the bloody aftermath, when nothing is left but loneliness and the need to rage.

Because of all the territory the original spans, any cover of “November Rain” has fertile ground for interpretation. An artist could focus on any part of the myriad emotions crammed into the original and explore further. Here are three covers that did a particularly good job with this power ballad.
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Feb 212014
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Over 40 years after its initial release, the Rolling Stones song “Wild Horses” still thunders across the forefront of popular culture. Its appeal lies as much in its lyrical ambiguity as in the music itself. Is it about Keith’s contrition for leaving his newborn son at home for yet another tour? Is it about Marianne Faithfull? Maybe it’s about some other graceless lady, a nameless muse immortalized between the bars of Mick Taylor’s Nashville-tuned guitars. Whatever the case, “Wild Horses” endures – not just for its beauty, but because it enables listeners to imbue it with their own experiences, however bitter or sweet. It’ll go on living long after we die, and nothing could drag it away.
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