May 022023
 

Matthews Southern ComfortWell, there’s a title for you. “Woodstock” was the song Iain Matthews, post-Fairport Convention, took to the top of the UK charts 53 years ago. Neither he nor his band, Matthews Southern Comfort, actually played at Yasgur’s Farm the year before, but, this side of the pond, it became the best-known version of Joni Mitchell’s song. The band actually fell apart within a year; Matthews was uncomfortable with the fame and bored with the pedal-steel-drenched country tropes now expected of him. Instead, he plowed on with a solo career and with another band, Plainsong.

Plainsong broke up and later reformed, and in 2010, Matthews decided to do the same for Matthews Southern Comfort. He’s since flitted between the three versions of himself, pursuing whatever suits him, under the brand it might suit best. (You might recall he, as Plainsong, covered the songs of Richard Farina with Andy Roberts on 2015’s Re-inventing Richard.) For The Woodstock Album, he has chosen the Matthews Southern Comfort moniker.

The idea behind The Woodstock Album was to pick a selection of artists who played at Woodstock, and some of the iconic songs they played there. Given that Matthews’ metier is very much of a folk-tinged country/country-tinged folk, these would neither ape nor echo the originals, but would hopefully give a fresh new spin on the material. Given many of the songs are not without some considerable covers history, this might be conceived a brave idea, especially as the tracklist becomes apparent. Let’s see.
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Cover Genres: Banjo

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Apr 212023
 

Cover Genres takes a look at cover songs in a very specific musical style.

banjo

Yes, it’s true–banjo isn’t really a genre, per se, as it encompasses more than one musical style. Way more. But this category could use a kickstart, and what better instrument to provide the kick with?

Now, I love the banjo, but I know full well how many don’t. Indeed, only the bagpipes and the accordion have been the butt of more jokes. My goal, then, is to take you the reader beyond the backwoods and blue grass, and to show you the other vistas where a banjo can not only play, it can also rule.

So then, banjo, do yer worst!
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Apr 122023
 
bob dylan truckin

Bob Dylan has entered the third year of his Rough and Rowdy Ways Worldwide Tour. For the most part, he sticks with a static setlist every night. In fact, there have only really been three setlist surprises the entire time. The first two were covers, of the Grateful Dead’s “Friend of the Devil” and the late Jerry Lee Lewis’s “I Can’t Seem to Say Goodbye.” The third came just last night in Tokyo (actually tonight for many of us, given the time difference). He busted out another Dead cover, his first-ever performance of the band’s “long strange trip” staple “Truckin'”! Continue reading »

Mar 022023
 

Yo La Tengo recently began a tour in support of their latest album, This Stupid World. A good portion of the setlists have been devoted to original material from the new record, but the trio have been debuting some new and surprising live covers, too. Last week in San Francisco, YLT premiered a second-set version of “Goin’ Down the Road Feeling Bad,” a traditional tune most associated with the Grateful Dead. Continue reading »

Nov 112022
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Whatever you think or don’t think of the Grateful Dead, we have to credit the songwriting team of Jerry Garcia and lyricist Robert Hunter for turning out some indelible classics. As long as there are acoustic guitars to strum and humans to sing, “Ripple” will ring out, and “Friend of the Devil” too. These songs have osmosed into the folk tradition that gave rise to them.

I’m not going to make the same claim of timelessness for “Bird Song,” Garcia and Hunter’s elegy to their friend Janis Joplin. Its greatness is of a different kind. But as far as elegies go, it has very few peers and is worth attention.
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Sep 092022
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Otis Redding

This year, a lot of musical artists turn 81 years old. Bob Dylan, Joan Baez, Neil Diamond, Aaron Neville, Paul Simon, David Crosby–the list goes on. But it’s one shorter than it should be. Otis Redding would be 81 today if he hadn’t died in a plane crash almost 55 years ago. Thinking of how much potential we never got to see fulfilled is a fool’s errand, so let’s focus on what Redding did give us in his 26 years and change.

Redding brought a voice full of emotion, an electric stage presence, and sheer drive to the sweet soul music of the ’60s. His work ethic got him to the top; his talent kept him there, long after he passed away. He’s one of those singers who’s always ripe for discovery; for an encouraging look at our future, search “first time hearing Otis Redding” on YouTube to find the next generation doing just that.

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