Dec 192025
 

Follow all our Best of 2025 coverage (along with previous year-end lists) here.

Last year’s unexpected theme was Tom Petty covers. For no obvious reason, he popped up again and again on our 2024 year-end list. And whaddya know, Tom’s back this year, with two more Petty covers on our list. This year, however, he is not the most-covered artist on our list.

That’s a tie between two artists, one extremely of-the-moment, one timeless. With three covers apiece, Chappell Roan and Neil Young share the most-best-covered crown. (Artists with two covers apiece this year, in addition to Petty, are Gillian Welch, John Prine, and—this one’s surprising—Nelly Furtado!)

Spoiler alert: None of those appears in the number-one position. Number one covers an artist who I don’t think has ever appeared on one of our year-end lists. But don’t skip ahead. There are 49 equally (well, almost) as good covers to get through first, spanning genres and sounds and eras and ages. Here we go.

Cover art by Hope Silverman

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Oct 312025
 
The Dollyrots — You Don’t Own Me (Lesley Gore cover)

“It’s My Party” was the bigger hit, but these days it feels like “You Don’t Own Me” gets covered more. It’s become something of a feminist anthem (probably an unlikely future for “It’s My Party”…). Dollyrots singer Kelly Ogden said, in sharing her band’s new revved-up cover, “The song is an anthem for female empowerment, about willing to be defiant in the face of something that’s just plain wrong. Sadly, it’s still just as timely as when Lesley sang it over 60 years ago.”

Folk Bitch Trio — Sex on Fire (Kings of Leon cover)

Remember “Sex on Fire”? Gotta be one of the dumbest singles of the 21st century. Folk Bitch Trio covered it for Like a Version, and they, against all odds, manage to redeem it. “It’s an underrated song,” they said. “It rocks. It’s filthy without you really knowing. The Folk Bitch Trio twist is kind of easy: We just sing it in three-part harmony, lock in, look at each other and we’re there.” Continue reading »

Jun 022025
 
Best Cover Songs of May
Chewy Rodriguez — Wildest Dreams (Taylor Swift cover)

This beautiful performance aired on South Dakota Public Broadcasting and, as of this writing, has 81 views, half of which are mine. (To be fair, presumably more people saw it when it aired on actual TV). But this Sioux Falls singer-songwriters beautiful Taylor Swift cover deserves a far bigger audience. It’s simply done, no frills or gimmicks, but he sells the hell out of it. Continue reading »

Dec 202024
 

Follow all our Best of 2024 coverage (along with previous year-end lists) here.

best cover songs of 2024

Welcome to the 50 Best Tom Petty Covers of 2024!

We kid, of course. But for whatever reason, this year’s big trend in covers was: Tom Petty. At one point there were something like 20 Petty covers on our longlist. Many came from two all-star tribute albums that dropped, entirely coincidentally, the same year (they both made our Best Albums list). We narrowed it down, of course. Three Petty covers ended up in this Top 50, one not even from those albums. Then, just this week, another high-profile Petty cover dropped: Snoop and Jelly Roll reworking “Last Dance for Mary Jane”! Suffice to say that one wouldn’t have been a contender even if it hadn’t arrived too late.

That was the big surprise trend in 2024 covers. The less-surprising trend you could have called from a mile out: The new wave of young pop divas—Chappell, Sabrina, Charli—got covered a lot. We could have done an entire 50-song list of their covers, too (the “Good Luck Babe”s alone!). But, if we had, we would have missed out on gospel R.E.M. and country The Weeknd and electropop Mott the Hoople and soul Green Day and… you know what, just read the list.

(Moo-chas gracias and Deng-ke schoen to Hope Silverman for this year’s tiny-hippo art.)

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Nov 302022
 
best cover songs of november 2022
Bob Dylan – I Can’t Seem to Say Goodbye (Jerry Lee Lewis cover)

Bob Dylan doesn’t change his setlists much anymore. In fact, on his recent UK and European tour, he played the exact same setlist every single night…except one. The day it was announced Jerry Lee Lewis passed away, Dylan returned to the stage after his usual finale “Every Grain of Sand.” As anyone who’s read his new book knows, Bob knows his music history. So he skipped the obvious picks and tackled the quite obscure Sun Records-era outtake “I Can’t Seem to Say Goodbye.” Continue reading »

Aug 302022
 

Under CoverIt takes some guts to cover songs as venerated as the ones on Valerie June’s Under Cover. As in, either you delude yourself if you think you can add to, or better, any the myriad other versions, let alone the originals. Or you are pretty damn good. Self-belief is certainly part the job prècis, and Valerie June has that in spades. She has the talent in spades as well.

You may have heard her name, maybe even some of her material, possibly whilst listening to a blues station on the radio. Or a country music station. Or pop, R&B, or folk. Gospel, even. For she straddles each of these genres, a woman of color from Tennessee, exposed to all and comfortable with each. Following self-releasing her first couple of recordings, she was spotted by Black Key Dan Auerbach, who, no mean gauge of talent, co-produced her 2013 eponymous label debut, which introduced her to a broader and welcoming audience, at home and worldwide. Europe has been especially supportive. Ahead of this, and also worthy of mention, is an EP she released independently, credited to Valerie June and the Tennessee Express. The Tennessee Express were Old Crow Medicine Show.

There have been a couple of albums since, each well-received, if remaining hard to classify under any one genre, perhaps explaining the changes of record label along the way. Fantasy Records demonstrate their faith by issuing this EP, on the back of last year’s album The Moon and Stars: Prescriptions For Dreamers, which had also been on this label.

Is it any good? Let’s see.
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