Sep 132019
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Oh Mercy

Oh Mercy characteristically pops up in lists of later Dylan records deemed decent. Sure, everything he produces is briefly heralded as a return to form – if, that is, he has written any of the songs, which takes away anything really recent – but a couple of listens and most are back down in the crate alongside Shot of Love and Planet Waves. But Oh Mercy has stuck, at least with me, arguably hindered no little by the typically crickets and crayfish production of Daniel Lanois. So, then, guess, how old is it? Ten, fifteen years? Nope. Thirty years. As in, THIRTY YEARS!!! How can that be, it’s half a life, well half mine, but, there you have it, it is.
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Mar 152016
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Chris-Isaak

Chris Isaak‘s “Wicked Game” is one of those songs that seems to exist on their own plane of music. Released as a single in 1990, the track floated on its own hazy eddy, separate from the currents of both the ’80s that preceded it and the grunge sound of the early ’90s that came soon after. The song seemed more like a dream than anything else; a fevered hallucination, showing up unbidden in Isaak’s mind as some love he had no business having in the first place circles around and around.

The song was originally not all that popular as a single. It took two separate events to cement it as a classic: It was included in David Lynch‘s film Wild at Heart, and a second video (the first was directed by David Lynch for the Wild at Heart soundtrack) featuring the now-legendary black-and-white image of Helena Christensen rolling topless in the sands of Hawaii. An entire generation was captivated by the sexiness of the both the image and the song itself. The bleak look back at this relationship has an almost Gothic feel to it. The lyrics are steeped in a dark romanticism and the reverb and delay of the guitar make the listener feel unmoored from reality. It’s no wonder, then, that so many artists have felt the desire to cover it. There have been dozens of attempts, many of which have already been written about on Cover Me. This, then, is a look at some that haven’t examined yet.

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