Sep 022010
 

Song of the Day posts one cool cover every morning. Catch up on past installments here.

In the November 2008 issue of Harper’s Magazine, John Jeremiah Sullivan wrote a fascinating article. The subject: his attempts to fact-check a piece Greil Marcus was writing on “Last Kind Words Blues.” The song, by the mysterious Geeshie Wiley, existed only as a scratchy, hard-to-make-out recording. Marcus wanted to quote some lines, but he couldn’t make out the exact words. To investigate, Sullivan visited famed guitarist/folk historian John Fahey. The back and forth of them trying to puzzle out this ancient recording is a must-read. Here’s an excerpt from earlier in the piece though, of Sullivan describing the mysterious recording:

Not many ciphers have left as large and beguiling a presence as Geeshie Wiley. Three of the six songs she and Elvie Thomas recorded are among the greatest country-blues performances ever etched into shellac, and one of them, “Last Kind Words Blues,” is an essential work of American art, sans qualifiers, a blues that isn’t a blues, that is something other, but is at the same time a perfect blues, a pinnacle.

Some have argued that the song represents a lone survival of an older, already vanishing, minstrel style; others that it was a one-off spoor, an ephemeral hybrid that originated and died with Wiley and Thomas, their attempt to play a tune they’d heard by a fire somewhere. The verses don’t follow the A-A-B repeating pattern common to the blues, and the keening melody isn’t like any other recorded example from that or any period. Likewise with the song’s chords: “Last Kind Words Blues” opens with a big, plonking, menacing E but quickly withdraws into A minor and hovers there awhile (the early blues was almost never played in a minor key). The serpentine dual-guitar interplay is no less startling, with little sliding lead parts, presumably Elvie’s, moving in and out of counterpoint. At times it sounds like four hands obeying a single mind and conjures scenes of endless practicing, the vast boredoms of the medicine-show world. Read the full article.

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Dec 312009
 


2009 will disappear into the ether in a few hours, but before it does there’s time for one last retrospective to do: The Top Covers of 2009. The Artists-to-Cover this year seemed to be Lady Gaga and Michael Jackson, though somewhat surprisingly no particularly definitive tribute to the latter has surfaced.

Speaking of tributes, anything off of our Best Cover Albums list was excluded for consideration here (you can still download those songs here though). Without further ado, let the list begin!

25. Imogen Heap – Thriller (Michael Jackson)
Any cover of this song loses something without the Vincent Price voice-over. Imogen Heap may not be the Godfather of Horror, but she’s just quirky enough to pull it off. [Buy]

24. Jason Bajada – You Are a Runner and I Am My Father’s Son (Wolf Parade)
There’s nothing harder to pull off than an acoustic-guitar and voice cover. Anyone can try – just strum the chords – but few stand out from the pack of YouTube wannabes. Bajada is one. [Buy]

23. Thom Yorke – All for the Best (Miracle Legion)
How a semi-obscure songwriter got so many A-listers for his tribute album (Yorke, Michael Stipe, Frank Black) is a bit of a mystery, but the “Idioteque”-esq blips Yorke warbles over somehow makes perfect sense. [Buy]

22. Atlas Sound – Walk a Thin Line (Fleetwood Mac)
Deerhunter’s Bradford Cox’s other band put up this tempered falsetto cover on his blog with little fanfare earlier this year. As with most things he gets his hands on, it exploded. [Buy]

21. Florence and the Machine – Addicted to Live (Robert Palmer)
Largely known for the robo-models who jerk about in the video, “Addicted to Love” gets a much-needed upgrade from blog darling Florence and the Machine whose Lungs was one of the best albums of the year. [Buy]

20. The Dead Weather – You Just Can’t Win (Them)
This list easily could have been the twenty-five best Jack White covers of the year. On the b-side to the “Treat Me Like Your Mother” single (vinyl only, naturally), White hollers like an in-the-gutter bluesman which the band emits musical sludge around him. [Buy]

19. Ben Lee – Kids (MGMT)
To anyone who thinks this song is all synth-hook, this plucked acoustic take should change your mind. [Buy]

18. Matt the Electrician – Faithfully (Journey)
The triumphal horns bring the bombast early on, before ceding the stage to a singer-songwriter and his ukulele. [Buy]

17. Joensuu 1685 – I’m On Fire (Bruce Springsteen)
Bruce Springsteen covered Suicide in 2005 and this one sounds like Suicide fighting back. The feedback frenzy of an opening lasts almost three minutes until the singing begins. And this is the short version! [Buy]

16. Anya Marina – Whatever You Like (T.I.)
I despise this song with a passion, so it’s ironic that not one but two brilliant covers were some of my most-played (the other being by Joan As Police Woman). The lyrics are as profound as ever. Shorty, you the hottest. Love the way you drop it. Brain so good, could have sworn you went to college. [Buy]

15. Eels – Girl from the North Country (Bob Dylan)
Eels’ E recorded this vulnerable piano cover for MySpace Transmissions, the sound of a man unable to mask his pain. [Buy]

14. Feist and Ben Gibbard – Train Song (Vashti Bunyan)
Indie-tastic charity comp Dark Was the Night had more new covers than many tribute albums, but was excluded for consideration from our list ‘cause it had just as many originals. However, the harmony on this semi-obscure song form 1966 cannot be ignored. [Buy]

13. John Frusciante – Song to the Siren (Tim Buckley)
Frusciante recently quit the Chili Peppers. If that enables him to make more experimental psychedelic covers like this one, thank goodness. He should have brought Flea with him. [Buy]

12. Coldplay – Fight for Your Right (Beastie Boys)
The Beastie Boys canceled a summer of high-profile festival appearance when MCA announced he had cancer. Jay-Z subbed in at All Points West, paying predictable tribute (“No Sleep Til Brooklyn”). More unexpected was Chris Martin’s brilliant minor-key piano ballad two days later. And the crowd goes wild . [Buy]

11. Town Bike – Radio Nowhere (Bruce Springsteen)
Bruce Springsteen closed his four-hour appearance on Elvis Costello’s Spectacle with a mashup of this and “Radio Radio.” Slamming it into “Do You Remember Rock ‘n’ Roll Radio” works too. [Buy]

10. Ben’s Brother – Poker Face (Lady Gaga)
Everyone from Weezer to Daughtry covered “Poker Face” this year, its catchy hook a natural for ironic sing-alongs. The indie-acoustic covers seemed to work best and “beta male” Jamie Hartman sings it so enthusiastically you almost don’t hear the tongue in cheek. [Buy]

9. Chromeo – I Can’t Tell You Why (The Eagles)
Electro-funk duo Chromeo seems an unlikely duo to cover the Eagles. Their effects-laden delivery beats the odds though, taking the 1979 single straight into the twenty-first century. [Buy]

8. Dex Romweber Duo ft. Jack White – Last Kind Word Blues (Geechie Wiley)
Definitely the best Geechie Wiley cover this year. Jack White produced this one for his Third Man Records label and was nice enough to add his enviable yelp to this blues stomp. [Burn]

7. My Gold Mask – Bette Davis Eyes (Jackie DeShannon/Kim Carnes)
My Gold Mask sent this one our way a couple months ago, which just goes to show you artists out there, submissions are never ignored. [Buy]

6. The Pluto Tapes – Wolf Like Me (TV on the Radio)
Just when you thought you were sick of this song, this slow-burn cover strips away the effects to bring the submerged tune to the fore. [Buy]

5. The BPA ft. Iggy Pop – He’s Frank (Slight Return) (The Monochrome Set)
Fatboy Slim (Norman Cook to his mom) created the Brighten Port Authority apparently solely to produce some killer club-funk tracks with his favorite vocalists. Iggy Pop, who these days seems to have made a career out of guest appearances, sneers his way through this unearthed gem. Biggest shock of all: he managed to keep his shirt on during live performances! [Buy]

4. The Gaslight Anthem – I Do Not Hook Up (Kelly Clarkson)
The Gaslight Anthem tend to cover Bruce Springsteen, The Band, and Johnny Cash. Did the heart-on-sleeve rock revivals finally succumb to the temptation of the ironic pop cover? Not a chance. Against all odds Brian Fallon gives a Kelly Clarkson song the emotional heft of “The River.” [Buy]

3. Elizabeth and the Catapult – Everybody Knows (Leonard Cohen)
A song so good we did a whole interview about it. [Buy]

2. Shilpa Ray & Her Happy Hookers – I Only Have Eyes For You (The Flamingos)
Nick Cave recently called this his new favorite band, which is all the recommendation one needs. Their garage-punk racket turns this innocent love song into the best stalker rocker since “Every Breath You Take.” [Buy]

1. Kings of Convenience – It’s My Party (Leslie Gore)
Pure beauty straight out of Norway, complete with a faux-trumpet solo. Nothing more to say. [Buy]

That’s it for this year. See you in 2010!