Mar 132026
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

On February 19, 2026, figure skater Alysa Liu became the first American to win Olympic gold in the women’s competition since 2002. She did it in a style that caused shockwaves through the sport, as Liu, now 20, had previously retired at age 16. With her return, she vowed that she would skate for herself, in her own style, and simply enjoy the moment. Her spirit radiated from the ice, and her jumps were spot on. She emerged from the games not only a medal winner, but a global superstar.

But what really caught our attention was Liu’s choice of music for her long program. She skated to Donna Summer’s disco cover of “MacArthur Park.” With its infectious groove, the song perfectly reflected her approach to the sport, especially as Summer sings “There will be another song for me.” It was an ideal pairing for one of the greatest second acts in the history of the sport.

“MacArthur Park” was written by Jimmy Webb, the tunesmith known for such classics as “Wichita Lineman,” “Worst that Could Happen” and “By the Time I Get to Phoenix.”

It was first recorded by Irish actor Richard Harris. Coming off the success of the 1967 musical film Camelot, Harris teamed up with Webb, who penned all of the tracks and produced Harris’ debut 1968 record A Tramp Shining. “MacArthur Park” – all seven minutes and twenty seconds of it – was the lead single. Despite its length and unusual structure, the song became a massive global hit for Harris upon its release.

The track itself is more of a suite than a traditional pop tune, with three distinct sections. It tells the story of a young couple falling in love and splitting, interlaced with visual descriptions of the titular Los Angeles park, from “birds like tender babies” to “old men playing checkers.”

But it is most famous, and perhaps infamous, for its chorus… Continue reading »

Feb 172026
 

The original “Somethin’ Stupid” by Nancy and Frank Sinatra was released in ’67, and is often described as pop-meets-bolero. Now, in 2026, two artists from completely different spheres have decided to join forces to recreate the amorous song. So what happens when Josh Homme, frontman of Queens of the Stone Age, pairs up with the jazzy-folky genre-bending vocals of Norah Jones? A quaint duet! Continue reading »

Sep 192025
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Send In The Clowns

Is there a ghastlier song than “Send In the Clowns”? The epitome of musical thea-ter (dahling), a go-to for any and every luvvy guesting on a TV show, invited then to sing us a song. Unspeakably vile, it is a song that must surely have some redeeming feature, to be drawn out of its saccharine turgidity. I mean, the bible of cover songs, Second Hand Songs, lists five and a half hundred iterations of the damned song, so surely there must be a “5 Good Covers” amongst them? Surely? I fear the title of this piece reveals the sickly truth.

Let’s get the details out the way. Here’s what Wikipedia has to say: “‘Send In the Clowns’ is a song written by Stephen Sondheim for the 1973 musical A Little Night Music, an adaptation of Ingmar Bergman’s 1955 film Smiles Of a Summer Night. It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life.” Two shocks there. First: I thought it came out a lot longer ago than 1973. Second: Bergman? It seems impossible to imagine the dour Swede having much truck with such lightweight frippery. But that is merely my view, with untold experts subsequently citing the song’s magnificence. It took a while for it to transcend the stage musical, not broaching the Billboard charts until Judy Collins brought it to #36 in 1975, and to #19 in 1977.

Frank Sinatra, in the meantime, had released it on his comeback album, Ol’ Blue Eyes Is Back, setting the song along the road to it becoming a jazz standard. Sure, Sinatra tackles it with characteristic brio, and, vocally, it can’t faulted. It is just the wretched source material. Jazz, of course, in the context of standard does not generally equate with anything exciting or innovative, or indeed anything much to do with what I call jazz, it smacking more of big band MOR, easy listening for the easily pleased. Sure, otherwise reliable artists have given it a go, as an instrumental, but, even shorn of the pompously execrable lyrics, most come up short, shackled by the limitations of the melody. (Honorable exception is country maverick, Tyler Childers (here), who found a pearl within the snail shell.)

Disclaimer: I didn’t listen to every version. I couldn’t, on health grounds, and would challenge anyone of a normal disposition so to do. But I did take a look at the list, in no small detail, cherry picking names of those who might be able to step outside of expectations. Indeed, in particular, I had high hopes for Pete Burns and for Stan Ridgway. Burns, the flamboyant frontman of Dead and Alive, must be able, I thought, to buff it up into something idiosyncratic and memorable. Wrong. And Ridgway, the Wall of Voodoo man, turning then to oddball narrative songs, he’d give it some grit. Also wrong. So that’s my 5 gone for a burton.

Who’s left?
Continue reading »

Mar 132024
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Eric Carmen

Eric Carmen, one of power-pop’s pioneers as the frontman for the Raspberries and a successful adult-contemporary solo artist, passed away over the weekend. He was 74 years old.

Carmen was forever a man out of time. Even as he accumulated hit records (did you know he cowrote the Footloose love theme “Almost Paradise”?), his music was scorned for being too wimpy, too poppy, too much not what was cool at the time. But time marched on, and people found themselves returning to the songs he wrote, because of their messages – what could be more direct than “I wanna be with you so bad”? – and the feelings they stirred up. Try as the critics did to shame him for his career, he had a lot to be proud of.

When it comes to covers of Eric Carmen songs, the veins are rich, but they’re tapped a lot more rarely than you might think. According to Secondhandsongs.com, the most-covered Raspberries song, “Go All the Way,” has fewer than a dozen versions. If anything good comes out of Carmen’s passing, maybe it’s that people will discover what a true artist he was. Here are five artists who have already made that discovery.

Continue reading »

Oct 302023
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Back in 2021, Cover Me compiled a list of the top 30 Willie Nelson covers of all time. A comprehensive list, it included covers of many of Nelson’s trademark songs such as “Crazy” and “Funny How Time Slips Away.” Even then we noted we were leaving out a key component of the story: the number of covers Nelson has recorded himself.

As of this writing, Secondhandsongs.com lists a whopping 991 covers. Granted it counts instances where he re-recorded new versions of his old cover songs with other people. For example: it lists every single duet of “Baby It’s Cold Outside.” Nelson’s catalog of covers is both extensive and exceptional. One could easily place many of his covers, such as “Always On My Mind,” “Stardust,” or “Blue Eyes Crying in the Rain,” among the best of all time.

In 2023, Nelson has hit two major milestones – he turned 90 in April. and in November he’ll be inducted into the Rock & Roll Hall of Fame – so we decided to revisit his covers collection.

Continue reading »