Nov 012021
 
best cover songs 1991

As regular readers know, every year, at the end of the year, we do a big year-end covers list. This tradition started in 2007 and will continue in a couple months with the best covers of 2021.

But there are so many years before 2007 where we weren’t doing year-end covers lists (and, as far as I’m aware, no one else was either). So once a year, we do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969, 1978, 1987, 1996, and, last year, 2000.

And for 2021, we look back thirty years, to the heady days of 1991. The days of grunge and acid house, of parachute pants and ripped denim, of The Gulf War and Home Alone. Country music and hip-hop increased their cultural dominance (or really just making their existing dominance known; 1991 is also the year Soundscan made the Billboard charts more authoritative). In a single day, Nirvana released Nevermind, Red Hot Chili Peppers released Blood Sugar Sex Magik, and A Tribe Called Quest released The Low End Theory. Think that’s a fluke? The week before saw massive albums from Mariah Carey, Hole, and Guns ‘n’ Roses (two albums, no less). The week before that came Garth Brooks, Talk Talk, and Saint Etienne.

All of those trends are reflected in the list below. Many of these covers scream “1991!” LL Cool J raps Disney. Courtney Love shrieks Joni. Aretha Franklin tries to new jack swing. A spate of early tribute albums (in fact, last year I wrote a 33 1/3 book about a 1991 tribute album). Other covers are more timeless, from veteran artists doing great work several decades into their careers, or way-underground artists who never even approached the mainstream. The only criteria was quality. Thirty years later, these 50 covers Hole-d up the best.

Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.

The list begins on Page 2.

Dec 022011
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him. – Antonin Artaud

You can’t talk about Daniel Johnston’s art without talking about Daniel Johnston, and about the demons and angels he brings to the table. His mental illness, his obsessions, his rudimentary playing and recording abilities – all become assets, and all contribute to the creation of his drawings and his music, which serve as both his refuge from the world and his passageway into it. Johnston has walked along (and fallen off) the edge for an exhaustingly long time; it’s his art, as much as anything else, that’s kept him tethered to life and allowed him to express what he sees in the benign and malignant hellions he faces every day. Continue reading »

Jan 092009
 

The Who were just given the Kennedy Center honors a few weeks back (along with, blech, Barbara Streisand), so why not honor their best album with nine solid covers. Quality over quantity today.

Incidentally, I’m starting to run out of ideas for classic albums for which I could find covers of any songs, so any suggestions?

Post ‘em in the comments

Blue Man Group – Baba O’Riley

From the moment the opening riff starts here, it all makes sense. This one was made for the boys in blue. Known primarily for their stage show, the Group has produced several fantastic albums. This comes from the tour they did promoting one, which you can find on How to Be a Megastar Live. Anyone know who’s singing? [Buy]

Sherie Rene Scott – Bargain

It swings, it jumps, it blare, it blasts. A horn-fueled rave-up that has even more energy than the first, Scott isn’t afraid to let it rip on this big band dance number. [Buy]

Out of Place – Love Ain’t for Keeping

This adult-contemporary world sound has a vaguely elevator music feel, but it works with this slow dirge and the crooning vocals and last-minute violin solo keep things beautiful. If you like the sound, they did all these tunes on their unoriginally-titled Who’s Next 2002. [Buy]

Taildragger – My Wife

Grungey and furious, the drummer does his best Keith Moon while the rest of the band sounds like the band in your neighbor’s garage. Best played loud. [Buy]

Stewart Bozarth – The Song Is Over

Solo piano covers always seem a safe route, but Bozarth’s playing doesn’t hold back, hitting all the tricky riffs without missing a note. [Buy]

Kim Virant – Getting In Tune

Another softy here, Virant gives it just the right subtle touch with her piano until the guitar blasts it away. Listen close for some bass lines that would make Entwistle proud. [Buy]

fIREHOSE – Going Mobile

Though they existed at the same time, these guys are not to be confused with FireHouse, who had several minor hits in the early 90’s (the strange capitalization gives it away). Regardless, they’re nice enough to let their concerts be shared on archive.org, and this tune comes a seven-song set they did of Who covers in 1989, including relative obscurities like Helpless Dancer and Naked Eye. [Download]

Limp Bizkit – Behind Blue Eyes

I haven’t been this blown away by a cover in a long time. And that isn’t because this cover is amazingly good; it’s because it’s somewhat good. I mean, this is the same Limp Bizkit that brought the world “Nookie” and “Break Stuff,” right? The same Limp Bizkit that brutalized our ears with the worst cover of “My Way” the world has ever seen? Well, I don’t know what happened here, because the backing is acoustic and subtle while Fred Durst emotes, dare I say it, beautifully. There’s a weird electronic break in the middle where they spell the band’s name, but even that somehow makes sense! Then, just when I was starting to wrap my mind around the song, I found the music video that features Durst making out with Halle Berry. What is going on?? [Buy]

Tony Furtado – Won’t Get Fooled Again

We first heard Tony a few months back with his terrific “Fortunate Son,” and this folksy banjo master is an Americana covers wizard. He brings it all back home with just some subtle acoustics that get to the heart of the song without all the masturbatory guitar. [Buy]