Jan 312025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

This year, Billie Eilish is nominated for a bunch of Grammys. Then again, it feels like you could say that every year. (In fact, I just checked, and you could: She’s been nominated for multiple Grammys every year since 2019). The streak began for her very first album, where she became only the second artist ever to sweep every category in the so-called “Big Four” (after Christopher Cross in 1981) and has continued ever since. She is the ultimate Grammys Darling.

But being a Grammys Darling is perhaps a mixed blessing. Grammys voters are not known for their cool, cutting-edge musical taste (see, again, Christopher Cross). What’s remarkable about Billie Eilish is that her music is cool and cutting edge. She’s not just someone out-of-touch Recording Academy elders think of as a pop star; she is an actual, bonafide pop star! Grammy voters love her, and so do their (grand)kids.

So before this weekend’s awards ceremony, we’re celebrating Billie Eilish our own way: By sharing some great covers of her songs. For an artist with only three full-length albums so far, her songs get covered a lot. Not just the big singles either, though there’s no shortage of those. Album cuts, pre-album singles, loosies, and EP tracks – they’re all here.

And the Coverme goes to…

25. Participants — You Should See Me In A Crown


This cover delivers on the ominous tone of the original, with white noise fizzling in the beginning and firm electric guitar strums getting louder and louder as the song begins. Both the drums and guitar then further punctuate the “one by one by one” lines throughout. There are some subtle changes to the tune in the second verse, and singer Brittany Smith is joined by some haunting background vocals. Smith then goes on to take some vocal runs out for a spin in the ending chorus, fitting for the confidence of “you should see me in a crown.” — Sara Stoudt

24. Shamir — Ocean Eyes

Shamir is fully emergent as that most precious of sounds, the R&B-schooled countertenor. No matter whether the arrangement is lush and physical or lush and GarageBand-created, his voice radiates and shines. He may be looking down on the cover art, but he is soaring vocally. For his version of “Ocean Eyes,” he makes his case that he has fully emerged from his chrysalis by having a butterfly in the background. “I am here and I sound beautiful, and I should be heard.” It’s a wonderful show by a remarkable talent. — Mike Tobyn

23. Saoirse Daly — Bitches Broken Hearts


The original song’s heartfelt message is even more poignant in this cover which keeps things simple, removing the many production elements of the original: The noise interference, the R&B-style background murmurs, the syncopated high hat and drum pedal. Then, that all starts to fade away. The original closes with simple piano, and that could serve as a transition to this more sparse cover. Here it is just Daly and an acoustic guitar, with percussion elements rendered by tapping on the guitar itself. — Sara Stoudt

22. Phoebe Bridgers — When The Party’s Over

“When the Party’s Over” is one of 2018’s most iconic pop music videos. So what happens when an indie-folk artist takes it on? In the hands of Phoebe Bridgers, we are treated to a version with unexpected instrumentation and hard panning. The vocals are featured only on the left side of the track, while a piano with audible action gives the cover a quaint and close-up feel. Finally, ethereal and far-off backup vocals make a cameo. — Aleah Fitzwater

21. Lauren Babic — What Was I Made For?

This cover of the Academy Award-winning theme from Barbie “What Was I Made For” is not technically funny. But when it hits the 1:39 mark, it’s hard not to laugh. That’s the moment when Lauren Babic turns from daydreamy sweetheart to metallic freakin’ monster, unleashes her booming typhoon of a voice and proceeds to knock all and sundry on their asses. This is no endearing novelty, as many metal covers of pop songs tend to be; what Babic is doing here is serious business. Get out of the way or be steamrolled to oblivion. — Hope Silverman

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Nov 192024
 
fidlar so far away cover

The second single from songwriter Carole King‘s solo breakout Tapestry, “So Far Away” was not the hit “It’s Too Late” was but was her second Top 15 hit in a row. It’s stood the test of time a little bit better than some of her later hits as it’s her fourth most covered song, among those that she recorded before anyone else.

LA garage/indie rockers FIDLAR have had a fondness for covers ever since they first released an album – we first wrote about a cover of theirs back in 2013. Earlier this year they tackled another folkie ish hit from the smooth ’70s when they took on Jackson Browne so Carole King isn’t as far outside their wheelhouse as one might expect. Continue reading »

Mar 292024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best sheryl crow covers

Sheryl Crow is having a real moment. After years of being (unfairly) dismissed as music for moms in minivans, her cool credentials have been ratcheted up in recent years through praise by younger singers who grew up hearing her songs. Just last week, Olivia Rodrigo invited Crow onstage to sing “If It Makes You Happy.” Covers have flown in from Phoebe Bridgers, HAIM, Soccer Mommy, and any number of other hip young female singers. And—oh yeah—she was inducted into the Rock and Roll Hall of Fame last fall.

For the Rock Hall induction, we did a feature on Crow, but devoted our big Best Covers Ever: Rock Hall Edition list to Kate Bush. But Crow’s got a new album out today, so we wanted to dedicate one to her now. A few of the covering artists we feature below are her contemporaries (and one is several generations older), but a large portion of the list comes from Millennials and Gen Z singers. That’s where the Sheryl energy is coming from these days, and they’ve given us a ton more great Crow-vers (sorry) than existed even a few years ago.

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Feb 232024
 
fidlar running on empty

“Running on Empty” is a song that has always been laden with nostalgia. It has lyrics that talk of the time and road slipping away from you. But in alt-rock band FIDLAR’s hands, it has become more modern and clear. The band has taken Browne’s words and made them feel more mournful, something tinged with navy blue. The combination of the laid-back vocals, mellow bass, and fuzzed-out snare make this version charmingly new.

The group’s tour-footage music video is a collage of memories and moments, much like the song. As we listen and watch the flashes of being out on the town, the graffiti bathrooms, and time passing, we can’t help but reminisce.

For more great Jackson Browne covers, be sure to check out this link!

Mar 292020
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

billie eilish covers

Billie Eilish’s debut album When We All Fall Asleep, Where Do We Go? came out just one year ago today. It seems like much longer. Her success now spans from Gen Z to boomers; she’s become omnipresent on every channel of the internet while also scoring the old-music-biz coup of sweeping the four top categories of the Grammys – the first person to do so since Christopher Cross in 1981. Continue reading »

Jul 312019
 

Check out the best covers of past months here.

best new cover songs july
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)

For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover. Continue reading »